A young woman finds herself caught up in a scam which may cost her the one thing she values more than her life...
Cassie Black has been lured back to the criminal profession she gave up - robbing gamblers of their winnings - by a proposition that is just too good to miss. The job goes as planned, except that the target has too much money. It can only mean someone very powerful is going to be very angry indeed.
Cassie finds herself on the run from a killer who seems to know her every move in advance. Worse still, he is closing in on the one thing Cassie will do anything to protect.
Cassie Black has been lured back to the criminal profession she gave up - robbing gamblers of their winnings - by a proposition that is just too good to miss. The job goes as planned, except that the target has too much money. It can only mean someone very powerful is going to be very angry indeed.
Cassie finds herself on the run from a killer who seems to know her every move in advance. Worse still, he is closing in on the one thing Cassie will do anything to protect.
MICHAEL CONNELLY is the author of thirty-eight novels, including the #1 New York Times bestsellers Dark Sacred Night, Two Kinds of Truth, and The Late Show. His books, which include the Harry Bosch series and the Lincoln Lawyer series, have sold more than eighty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels. He is the executive producer of Bosch, starring Titus Welliver, and the creator and host of the podcast Murder Book. He spends his time in California and Florida.
To find out more, visit Michael's website or follow him on Twitter or Facebook.
www.michaelconnelly.com
f/MichaelConnellyBooks
t@Connellybooks
To find out more, visit Michael's website or follow him on Twitter or Facebook.
www.michaelconnelly.com
f/MichaelConnellyBooks
t@Connellybooks
© Peter von Felbert
A brilliantly controlled narrative ... Connelly has two great skills. One is the creation of characters who live and breathe, so that we care about them far more than we do for the cardboard figures stamped out by most thriller writers. His second skill is a mastery of pace. His books are page-turners, and the author is in sublime control of the speed at which we turn those pages. With Void Moon I found myself turning very fast indeed MAIL ON SUNDAY