Constructing Vernacular Culture in the Trans-Caribbean traces the contradictory cultural trajectories constructed and re-produced in the fluid diasporic spaces we call the Trans-Caribbean. Particular emphasis is placed on such cultural expressions that reflect or derive from the cultural vernacular and popular culture as it exists in these spaces. Its multidisciplinary approach and focus on different language areas in the Trans-Caribbean are of particular interest to scholars in cultural studies, migration, literary theory, and cultural criticism.
Constructing Vernacular Culture in the Trans-Caribbean traces the contradictory cultural trajectories constructed and re-produced in the fluid diasporic spaces we call the Trans-Caribbean. Particular emphasis is placed on such cultural expressions that reflect or derive from the cultural vernacular and popular culture as it exists in these spaces. Its multidisciplinary approach and focus on different language areas in the Trans-Caribbean are of particular interest to scholars in cultural studies, migration, literary theory, and cultural criticism.
Holger W. Henke is assistant professor of political science at Metropolitan College of New York and editor of Crossing Over: Comparing Recent Migration in the United States and Europe (Lexington 2005). Karl-Heinz Magister is a researcher at the Center for Literary Studies in Berlin.
Inhaltsangabe
Chapter 1 Foreword Chapter 2 Acknowledgment Chapter 3 Introduction: Constructing Vernacular Culture in the Trans-Caribbean Part 4 Part I. (Re-)Creating Homes in the Vernacular Chapter 5 Chapter 1. Premigration Legacies and Transnational Identities: Afro-Surinamese and Indo-Surinamese in the Netherlands Chapter 6 Chapter 2. The Many Voices of Caribbean Culture in New York City Chapter 7 Chapter 3. Family Reunion Rituals of African-Caribbean Transnational Families: Instilling an Historical and Diasporic Consciousness Part 8 Part II. Performing Identitites Chapter 9 Chapter 4. Dancing Around Dancehall: Popular Music and Pentacostal Identity in Transnational Jamaica and Haiti Chapter 10 Chapter 5. Rituals, Journeys, and Modernity: Spiritual Baptists in New York Chapter 11 Chapter 6. Performing "Difference": Gossip in Olive Senior's Short Stories Chapter 12 Chapter 7. "This is my vibes": Legitimizing Vernacular Expressions in Caribana Part 13 Part III. Writing Self, Other and (Trans-)Nation in the Trans-Caribbean Chapter 14 Chapter 8. Patrick Chamoiseau's Seascapes and the Trans-Caribbean Imaginary Chapter 15 Chapter 9. "A Local Habitation and a Name": Travelers, Migrants, Nomads of "Caribbean New York" in Colin Channer'sWaiting in Vain Chapter 16 Chapter 10. Playing Both Home and Away: National and Transnational Identities in the Work of Bruce St. John Chapter 17 Chapter 11. The Amerindian Transnational Experience in Pauline Melville'sThe Ventriloquist's Tale Chapter 18 Chapter 12. Readings from Aquí y Allá: Music, Commercialism, and the Latino-Caribbean Transnational Imaginary Part 19 Part IV. The (Trans-)Nation (Dis-)Embodied Chapter 20 Chapter 13. Like Sugar in Coffee: Third Wave Feminism and the Caribbean Chapter 21 Chapter 14. Work That Body: Sexual Citizenship and Embodied Freedom Chapter 22 Chapter 15. Caribbean Cyberculture: Towards an Understanding of Gender, Sexuality and Identity within the Digital Culture Matrix
Chapter 1 Foreword Chapter 2 Acknowledgment Chapter 3 Introduction: Constructing Vernacular Culture in the Trans-Caribbean Part 4 Part I. (Re-)Creating Homes in the Vernacular Chapter 5 Chapter 1. Premigration Legacies and Transnational Identities: Afro-Surinamese and Indo-Surinamese in the Netherlands Chapter 6 Chapter 2. The Many Voices of Caribbean Culture in New York City Chapter 7 Chapter 3. Family Reunion Rituals of African-Caribbean Transnational Families: Instilling an Historical and Diasporic Consciousness Part 8 Part II. Performing Identitites Chapter 9 Chapter 4. Dancing Around Dancehall: Popular Music and Pentacostal Identity in Transnational Jamaica and Haiti Chapter 10 Chapter 5. Rituals, Journeys, and Modernity: Spiritual Baptists in New York Chapter 11 Chapter 6. Performing "Difference": Gossip in Olive Senior's Short Stories Chapter 12 Chapter 7. "This is my vibes": Legitimizing Vernacular Expressions in Caribana Part 13 Part III. Writing Self, Other and (Trans-)Nation in the Trans-Caribbean Chapter 14 Chapter 8. Patrick Chamoiseau's Seascapes and the Trans-Caribbean Imaginary Chapter 15 Chapter 9. "A Local Habitation and a Name": Travelers, Migrants, Nomads of "Caribbean New York" in Colin Channer'sWaiting in Vain Chapter 16 Chapter 10. Playing Both Home and Away: National and Transnational Identities in the Work of Bruce St. John Chapter 17 Chapter 11. The Amerindian Transnational Experience in Pauline Melville'sThe Ventriloquist's Tale Chapter 18 Chapter 12. Readings from Aquí y Allá: Music, Commercialism, and the Latino-Caribbean Transnational Imaginary Part 19 Part IV. The (Trans-)Nation (Dis-)Embodied Chapter 20 Chapter 13. Like Sugar in Coffee: Third Wave Feminism and the Caribbean Chapter 21 Chapter 14. Work That Body: Sexual Citizenship and Embodied Freedom Chapter 22 Chapter 15. Caribbean Cyberculture: Towards an Understanding of Gender, Sexuality and Identity within the Digital Culture Matrix
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