The five writers chosen for this text are currently the most popular, interesting, and important writers in Mexico. . . This book provides much insight into what female writers believe that writing is all about.
The five writers chosen for this text are currently the most popular, interesting, and important writers in Mexico. . . This book provides much insight into what female writers believe that writing is all about.
Gabriella de Beer is Professor of Spanish at the City College of New York.
Inhaltsangabe
1. Acknowledgments 2. Introduction 3. María Luisa Fuga 4. About the Author and Her Writing 5. Conversations with the Writer 6. Representative Selections * One [“Uno,” from Las razones del lago] * Lucrecia [“Lucrecia,” from Intentos] * The Guests [“Los invitados,” Unpublished Story] 7. Bibliography 8. Silvia Molina 9. About the Author and Her Writing 10. Conversations with the Writer 11. Representative Selections * The New House [“La casa nueva,” from Dicen que me case yo] * What Would You Have Done? [“¿Qué hubieras hecho?,” from Dicen que me case yo] * The Problem [“El problema,” from Imagen de Héctor] 12. Bibliography 13. Brianda Domecq 14. About the Author and Her Writing 15. Conversations with the Writer 16. Representative Selections * Balzac [“Balzac,” from Bestiario doméstico] * In Memoriam [“In memoriam,” from Bestiario doméstico] * Galatea [“Galatea,” from Bestiario doméstico] 17. Bibliography 18. Carmen Boullosa 19. About the Author and Her Writing 20. Conversations with the Writer 21. Representative Selections * III [“III,” from Antes] * Mary, Why Don’t You? [“Propusieron a María,” from Teatro herético] 22. Bibliography 23. Angeles Mastretta 24. About the Author and Her Writing 25. Conversations with the Writer 26. Representative Selections * Aunt Clemencia Ortega [“Tía Clemencia Ortega,” from Mujeres de ojos grandes] * Aunt Cristina Martínez [“Tía Cristina Martínez,” from Mujeres de ojos grandes] * Memory and Precipice [“Memoria y acantilado,” from Puerto libre] 27. Bibliography 28. Conclusion 29. Further Readings
1. Acknowledgments 2. Introduction 3. María Luisa Fuga 4. About the Author and Her Writing 5. Conversations with the Writer 6. Representative Selections * One [“Uno,” from Las razones del lago] * Lucrecia [“Lucrecia,” from Intentos] * The Guests [“Los invitados,” Unpublished Story] 7. Bibliography 8. Silvia Molina 9. About the Author and Her Writing 10. Conversations with the Writer 11. Representative Selections * The New House [“La casa nueva,” from Dicen que me case yo] * What Would You Have Done? [“¿Qué hubieras hecho?,” from Dicen que me case yo] * The Problem [“El problema,” from Imagen de Héctor] 12. Bibliography 13. Brianda Domecq 14. About the Author and Her Writing 15. Conversations with the Writer 16. Representative Selections * Balzac [“Balzac,” from Bestiario doméstico] * In Memoriam [“In memoriam,” from Bestiario doméstico] * Galatea [“Galatea,” from Bestiario doméstico] 17. Bibliography 18. Carmen Boullosa 19. About the Author and Her Writing 20. Conversations with the Writer 21. Representative Selections * III [“III,” from Antes] * Mary, Why Don’t You? [“Propusieron a María,” from Teatro herético] 22. Bibliography 23. Angeles Mastretta 24. About the Author and Her Writing 25. Conversations with the Writer 26. Representative Selections * Aunt Clemencia Ortega [“Tía Clemencia Ortega,” from Mujeres de ojos grandes] * Aunt Cristina Martínez [“Tía Cristina Martínez,” from Mujeres de ojos grandes] * Memory and Precipice [“Memoria y acantilado,” from Puerto libre] 27. Bibliography 28. Conclusion 29. Further Readings
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