Contemporary Olson
Herausgeber: Herd, David
Contemporary Olson
Herausgeber: Herd, David
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Re-situating Olson's work in relation both to his own moment and to current concerns, the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture.
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Re-situating Olson's work in relation both to his own moment and to current concerns, the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 344
- Erscheinungstermin: 16. März 2017
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 524g
- ISBN-13: 9781526116789
- ISBN-10: 1526116782
- Artikelnr.: 47239687
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Manchester University Press
- Seitenzahl: 344
- Erscheinungstermin: 16. März 2017
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 524g
- ISBN-13: 9781526116789
- ISBN-10: 1526116782
- Artikelnr.: 47239687
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
David Herd is Professor of Modern Literature at the University of Kent
Introduction: Contemporary Olson - David Herd Section I: Knowledge 1. Myth
and document in Charles Olson's Maximus Poems - Miriam Nichols 2.
Discoverable unknowns: Olson's lifelong preoccupation with the sciences -
Peter Middleton 3. 'Empty Air': Charles Olson's cosmology - Reitha Pattison
4. A reading of 'In Cold Hell, In Thicket' - Ian Brinton and Michael Grant
Section II: Poetics 5. From Olson's breath to Spicer's gait: spacing,
pacing, phonemes - Daniel Katz 6. Poetic instruction - Michael Kindellan 7.
Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to
Gloucester: Letter 15' - Simon Smith 8. From Weymouth back: Olson's British
contacts, travels and legacy - Gavin Selerie 9. A fresh look at Olson -
Elaine Feinstein Section III: Gender 10. Olson and his Maximus Poems -
Rachel Blau DuPlessis 11. 'When the attentions change': Charles Olson and
Frances Boldereff - Robert Hampson 12. 'The pictorial handwriting of his
dreams': Charles Olson, Susan Howe, Redell Olsen - Will Montgomery Section
IV: History 13. The contemporaries: a reading of Charles Olson's 'The
Lordly and Isolate Satyrs' - Stephen Fredman 14. Futtocks - Anthony Mellors
15. Death in life: the past in 'As the Dead Prey Upon Us' - Ben Hickman 16.
'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in
His "Brief an Creeley und Olson''': Olson on history, in dialogue - Sarah
Posman 17. 'Moving among my particulars': the 'negative dialectics' of The
Maximus Poems - Tim Woods 18. A note on Charles Olson's 'The Kingfishers' -
Charles Bernstein Section V: Space 19. Transcultural projectivism in
Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's
Warlugulong - Peter Minter 20. The view from Gloucester: Open Field Poetics
and the politics of movement - David Herd 21. Why Olson did ballet: the
pedagogical avant-gardism of Massine - Karlien van den Beukel 22. On the
back of the elephant: riding with Charles Olson - Iain Sinclair Epilogue:
Charles Olson's first poem - Ralph Maud Bibliography Index
and document in Charles Olson's Maximus Poems - Miriam Nichols 2.
Discoverable unknowns: Olson's lifelong preoccupation with the sciences -
Peter Middleton 3. 'Empty Air': Charles Olson's cosmology - Reitha Pattison
4. A reading of 'In Cold Hell, In Thicket' - Ian Brinton and Michael Grant
Section II: Poetics 5. From Olson's breath to Spicer's gait: spacing,
pacing, phonemes - Daniel Katz 6. Poetic instruction - Michael Kindellan 7.
Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to
Gloucester: Letter 15' - Simon Smith 8. From Weymouth back: Olson's British
contacts, travels and legacy - Gavin Selerie 9. A fresh look at Olson -
Elaine Feinstein Section III: Gender 10. Olson and his Maximus Poems -
Rachel Blau DuPlessis 11. 'When the attentions change': Charles Olson and
Frances Boldereff - Robert Hampson 12. 'The pictorial handwriting of his
dreams': Charles Olson, Susan Howe, Redell Olsen - Will Montgomery Section
IV: History 13. The contemporaries: a reading of Charles Olson's 'The
Lordly and Isolate Satyrs' - Stephen Fredman 14. Futtocks - Anthony Mellors
15. Death in life: the past in 'As the Dead Prey Upon Us' - Ben Hickman 16.
'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in
His "Brief an Creeley und Olson''': Olson on history, in dialogue - Sarah
Posman 17. 'Moving among my particulars': the 'negative dialectics' of The
Maximus Poems - Tim Woods 18. A note on Charles Olson's 'The Kingfishers' -
Charles Bernstein Section V: Space 19. Transcultural projectivism in
Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's
Warlugulong - Peter Minter 20. The view from Gloucester: Open Field Poetics
and the politics of movement - David Herd 21. Why Olson did ballet: the
pedagogical avant-gardism of Massine - Karlien van den Beukel 22. On the
back of the elephant: riding with Charles Olson - Iain Sinclair Epilogue:
Charles Olson's first poem - Ralph Maud Bibliography Index
Introduction: Contemporary Olson - David Herd Section I: Knowledge 1. Myth
and document in Charles Olson's Maximus Poems - Miriam Nichols 2.
Discoverable unknowns: Olson's lifelong preoccupation with the sciences -
Peter Middleton 3. 'Empty Air': Charles Olson's cosmology - Reitha Pattison
4. A reading of 'In Cold Hell, In Thicket' - Ian Brinton and Michael Grant
Section II: Poetics 5. From Olson's breath to Spicer's gait: spacing,
pacing, phonemes - Daniel Katz 6. Poetic instruction - Michael Kindellan 7.
Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to
Gloucester: Letter 15' - Simon Smith 8. From Weymouth back: Olson's British
contacts, travels and legacy - Gavin Selerie 9. A fresh look at Olson -
Elaine Feinstein Section III: Gender 10. Olson and his Maximus Poems -
Rachel Blau DuPlessis 11. 'When the attentions change': Charles Olson and
Frances Boldereff - Robert Hampson 12. 'The pictorial handwriting of his
dreams': Charles Olson, Susan Howe, Redell Olsen - Will Montgomery Section
IV: History 13. The contemporaries: a reading of Charles Olson's 'The
Lordly and Isolate Satyrs' - Stephen Fredman 14. Futtocks - Anthony Mellors
15. Death in life: the past in 'As the Dead Prey Upon Us' - Ben Hickman 16.
'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in
His "Brief an Creeley und Olson''': Olson on history, in dialogue - Sarah
Posman 17. 'Moving among my particulars': the 'negative dialectics' of The
Maximus Poems - Tim Woods 18. A note on Charles Olson's 'The Kingfishers' -
Charles Bernstein Section V: Space 19. Transcultural projectivism in
Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's
Warlugulong - Peter Minter 20. The view from Gloucester: Open Field Poetics
and the politics of movement - David Herd 21. Why Olson did ballet: the
pedagogical avant-gardism of Massine - Karlien van den Beukel 22. On the
back of the elephant: riding with Charles Olson - Iain Sinclair Epilogue:
Charles Olson's first poem - Ralph Maud Bibliography Index
and document in Charles Olson's Maximus Poems - Miriam Nichols 2.
Discoverable unknowns: Olson's lifelong preoccupation with the sciences -
Peter Middleton 3. 'Empty Air': Charles Olson's cosmology - Reitha Pattison
4. A reading of 'In Cold Hell, In Thicket' - Ian Brinton and Michael Grant
Section II: Poetics 5. From Olson's breath to Spicer's gait: spacing,
pacing, phonemes - Daniel Katz 6. Poetic instruction - Michael Kindellan 7.
Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to
Gloucester: Letter 15' - Simon Smith 8. From Weymouth back: Olson's British
contacts, travels and legacy - Gavin Selerie 9. A fresh look at Olson -
Elaine Feinstein Section III: Gender 10. Olson and his Maximus Poems -
Rachel Blau DuPlessis 11. 'When the attentions change': Charles Olson and
Frances Boldereff - Robert Hampson 12. 'The pictorial handwriting of his
dreams': Charles Olson, Susan Howe, Redell Olsen - Will Montgomery Section
IV: History 13. The contemporaries: a reading of Charles Olson's 'The
Lordly and Isolate Satyrs' - Stephen Fredman 14. Futtocks - Anthony Mellors
15. Death in life: the past in 'As the Dead Prey Upon Us' - Ben Hickman 16.
'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in
His "Brief an Creeley und Olson''': Olson on history, in dialogue - Sarah
Posman 17. 'Moving among my particulars': the 'negative dialectics' of The
Maximus Poems - Tim Woods 18. A note on Charles Olson's 'The Kingfishers' -
Charles Bernstein Section V: Space 19. Transcultural projectivism in
Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's
Warlugulong - Peter Minter 20. The view from Gloucester: Open Field Poetics
and the politics of movement - David Herd 21. Why Olson did ballet: the
pedagogical avant-gardism of Massine - Karlien van den Beukel 22. On the
back of the elephant: riding with Charles Olson - Iain Sinclair Epilogue:
Charles Olson's first poem - Ralph Maud Bibliography Index







