Contemporary Post-Production is an engaging and insightful guide through the often fraught and stressful phase of post-production. It brings the art and craft of editing to life, describes contemporary workflows, and demonstrates how to break the post-production process into manageable phases.
Contemporary Post-Production is an engaging and insightful guide through the often fraught and stressful phase of post-production. It brings the art and craft of editing to life, describes contemporary workflows, and demonstrates how to break the post-production process into manageable phases.
Melanie La Rosa is an award-winning filmmaker, film professor, and advocate for diversity in media. A 2022 Public Voices Fellow on the Climate Crisis with the OpEd Project and Yale Program on Climate Change Communication, her films have screened internationally and broadcast on PBS. Her work has won funding from NYSCA, Queens Council on the Arts, Brooklyn Arts Council, and Solutions Journalism Network. Her films include "How To Power A City," "The Poetry Deal: a Film with Diane DiPrima," and "Sir: Just A Normal Guy." Her articles appear in World War Zero, The Progressive, and Gateway Journalism Review, among other publications.
Inhaltsangabe
Acknowledgments 1. Introduction 2. The Who, What, and Why for this Book Part 1: PRACTICAL SKILLS 3. Create 4. Cut 5. Collaborate 6. Sound 7. Score 8. Color 9. Transcripts, Captions, and Subtitles 10. Exhibit and Deliver Part 2: CREATIVE AESTHETICS 11. Interview: Aashish Kumar - "Body, Home, World" 12. Interview: Allie Sultan and Ryan Rehnborg - "Incognita's Infamous Adventures" 13. Interview: Carla Gutíerrez - "FRIDA" 14. Interview: Zeb Achonu - "White Nanny Black Child" Part 3: THE INDUSTRY 15. Looking Back To Look Forward 15a. Alice Guy-Blaché 15b. Oscar Michaeux 16. Emerging Issues in the Edit Room Part 4: APPENDIXES: ACTIVITIES, CHARTS, AND SUPPLEMENTAL MATERIALS Appendix 1. Story forms Appendix 2. Ocean University Sample "Introductory Briefing" Appendix 3. Class activity: Editor and Story Choices Appendix 4. Class Activity: Create and Edit a Story Appendix 5. Daily Logs and Naming Conventions Appendix 6. Post-Production Workflow Guide Appendix 7. Post-Production Guide by Form Appendix 8. What Are We Going to Do About AI? Use It? Fear It? ADDITIONAL SECTIONS: i. Citations ii. Image Credits iii. Additional Resources iv. Index
Acknowledgments 1. Introduction 2. The Who, What, and Why for this Book Part 1: PRACTICAL SKILLS 3. Create 4. Cut 5. Collaborate 6. Sound 7. Score 8. Color 9. Transcripts, Captions, and Subtitles 10. Exhibit and Deliver Part 2: CREATIVE AESTHETICS 11. Interview: Aashish Kumar - "Body, Home, World" 12. Interview: Allie Sultan and Ryan Rehnborg - "Incognita's Infamous Adventures" 13. Interview: Carla Gutíerrez - "FRIDA" 14. Interview: Zeb Achonu - "White Nanny Black Child" Part 3: THE INDUSTRY 15. Looking Back To Look Forward 15a. Alice Guy-Blaché 15b. Oscar Michaeux 16. Emerging Issues in the Edit Room Part 4: APPENDIXES: ACTIVITIES, CHARTS, AND SUPPLEMENTAL MATERIALS Appendix 1. Story forms Appendix 2. Ocean University Sample "Introductory Briefing" Appendix 3. Class activity: Editor and Story Choices Appendix 4. Class Activity: Create and Edit a Story Appendix 5. Daily Logs and Naming Conventions Appendix 6. Post-Production Workflow Guide Appendix 7. Post-Production Guide by Form Appendix 8. What Are We Going to Do About AI? Use It? Fear It? ADDITIONAL SECTIONS: i. Citations ii. Image Credits iii. Additional Resources iv. Index
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