This volume is a collaborative work of ficto-critical ecopolitics written by two Australian scholar-poets based in the Western Australian Wheatlands (John Kinsella) and Germanyâ s south-western WÃ rttemberg (Russell West-Pavlov).
This volume is a collaborative work of ficto-critical ecopolitics written by two Australian scholar-poets based in the Western Australian Wheatlands (John Kinsella) and Germanyâ s south-western WÃ rttemberg (Russell West-Pavlov).
John Kinsella is the author of over seventy books of poetry, fiction, criticism, plays, edited works and collaborative works. He is an extraordinary fellow of Churchill College, Cambridge University, and emeritus professor of Literature and Environment at Curtin University. He has recently been a DAAD visiting professor at the University of Tübingen (2021-2024). Russell West-Pavlov is a professor of Anglophone Literature and co-convenor of the Interdisciplinary Centre for Global South Studies at the University of Tübingen, Germany. His recent book publications include Eastern African Literatures (2018), German as Contact Zone (2019), AfrikAffekt (2020) and, as editor, The Global South and Literature (2018).
Inhaltsangabe
List of Figures Acknowledgements Preface: Kelp Forest Space Arc Space Ark Pirogue Per Se... Graphology Proximity 5: Gnarly Snakes Scales Graphology Proximity 15 Wordsworth and Campbell - Mirrinatwa and Hesse Zurich Eclogue Im Urs Jaeggi Collaborators Per Se Approximations of Collaboration Investor Notes for Chalice Mining's Persecution of land at Julimar The Local 'Polycrisis' The Glasshouse - Research, Ethics, Writing and the Failure of Metaphor Spheres Platanenallee Rooks, Neckar Island, Tübingen Riverrun (1) Riverrun (2) A Pacifist Against Defence: For the Demilitarization of the Humanities Resistant Writing The Argument from Samson Agonistes: A Re-dramatization After Milton Sensorship Black-Headed Monitor Ontic - A Wheatbelt Post-Phenomenology and the Spontaneous Eruption of Hope and New Humano-Animalism! And Then We Go Back to Another Reptile-Human Interface: Oblong Turtle ... Out of Synch and Not to be Syched A Rose Is a Rose All Those Attempts to Define 'Place', Per Se? Jacarandas From Down in the City I Critique My Own Spatializing Around and About Jam Tree Gully Writing The Square Root of -1: The Performative Per Se Quoted Out of Context Per Se, Then Recontextualized! On Evelyn Araluen's Dropbear Per Se and Coleridge's 'The Nightingale: A Conversation Poem, Written in April 1798' from the First Edition of Lyrical Ballads What is a Posthumanist Practice? Mowing Reality The Occult Sacred Kingfishers and Oblong Turtles Awaiting Words Ode to Underlying 'Values' Aesthetics Note Written on the Side of a Rural Road, Western Australia Ineffable Building a Language with Nature: More Graphologizing Graphology Ratio 26 Again, Anthologizing Against Nations and Nationalism: Political, Ethical, Moral...? Self-Sufficiency Questions for John Kinsella on Old Growth On the Abolition of Writing Emily Is Here with Me Again and 'Silent is the House' Ex-Duction `Humanities' Means Peace, Doesn't It? A Plea for Non-violence at All Costs... Why We Chose It - On Ali Alizadeh's Poem 'Animals' Christmas 2021 Tree-Felling The Argonautica I Am Re-Envisaging and Will Eventually Try To Forget, As I Should? Life After Nature: An Aesthetic Project Villanelle of Fire Fire Letter Forests as Space Fallatious Futurities The Problem of the 'Future Library' (Blog of 19 August 2020) Correspondence between Italo Lanfredini and John Kinsella Help Protect Helms Forest Snakes, Again A Conclusion that Is Really a Preface Coda to a Conclusion that Is Really a Preface Two Sonnets Endnotes Bibliography Index
List of Figures Acknowledgements Preface: Kelp Forest Space Arc Space Ark Pirogue Per Se... Graphology Proximity 5: Gnarly Snakes Scales Graphology Proximity 15 Wordsworth and Campbell - Mirrinatwa and Hesse Zurich Eclogue Im Urs Jaeggi Collaborators Per Se Approximations of Collaboration Investor Notes for Chalice Mining's Persecution of land at Julimar The Local 'Polycrisis' The Glasshouse - Research, Ethics, Writing and the Failure of Metaphor Spheres Platanenallee Rooks, Neckar Island, Tübingen Riverrun (1) Riverrun (2) A Pacifist Against Defence: For the Demilitarization of the Humanities Resistant Writing The Argument from Samson Agonistes: A Re-dramatization After Milton Sensorship Black-Headed Monitor Ontic - A Wheatbelt Post-Phenomenology and the Spontaneous Eruption of Hope and New Humano-Animalism! And Then We Go Back to Another Reptile-Human Interface: Oblong Turtle ... Out of Synch and Not to be Syched A Rose Is a Rose All Those Attempts to Define 'Place', Per Se? Jacarandas From Down in the City I Critique My Own Spatializing Around and About Jam Tree Gully Writing The Square Root of -1: The Performative Per Se Quoted Out of Context Per Se, Then Recontextualized! On Evelyn Araluen's Dropbear Per Se and Coleridge's 'The Nightingale: A Conversation Poem, Written in April 1798' from the First Edition of Lyrical Ballads What is a Posthumanist Practice? Mowing Reality The Occult Sacred Kingfishers and Oblong Turtles Awaiting Words Ode to Underlying 'Values' Aesthetics Note Written on the Side of a Rural Road, Western Australia Ineffable Building a Language with Nature: More Graphologizing Graphology Ratio 26 Again, Anthologizing Against Nations and Nationalism: Political, Ethical, Moral...? Self-Sufficiency Questions for John Kinsella on Old Growth On the Abolition of Writing Emily Is Here with Me Again and 'Silent is the House' Ex-Duction `Humanities' Means Peace, Doesn't It? A Plea for Non-violence at All Costs... Why We Chose It - On Ali Alizadeh's Poem 'Animals' Christmas 2021 Tree-Felling The Argonautica I Am Re-Envisaging and Will Eventually Try To Forget, As I Should? Life After Nature: An Aesthetic Project Villanelle of Fire Fire Letter Forests as Space Fallatious Futurities The Problem of the 'Future Library' (Blog of 19 August 2020) Correspondence between Italo Lanfredini and John Kinsella Help Protect Helms Forest Snakes, Again A Conclusion that Is Really a Preface Coda to a Conclusion that Is Really a Preface Two Sonnets Endnotes Bibliography Index
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