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"For John Craxton, cats were an index of moods and states of mind, and a splendidly apposite vehicle for his visual and verbal wit. Craxton loved cats and lived with them, on and off, for most of his life. The cat image came readily to mind and hand, whether he was planning a taverna scene in Crete, or doodling during a telephone conversation. Cats permeate his art, weaving their way through his paintings, drawings and prints, bringing humour and mischief to his images as they did to his daily existence. Affectionate and faithless, they were like so many casual lovers, no better than they…mehr

Produktbeschreibung
"For John Craxton, cats were an index of moods and states of mind, and a splendidly apposite vehicle for his visual and verbal wit. Craxton loved cats and lived with them, on and off, for most of his life. The cat image came readily to mind and hand, whether he was planning a taverna scene in Crete, or doodling during a telephone conversation. Cats permeate his art, weaving their way through his paintings, drawings and prints, bringing humour and mischief to his images as they did to his daily existence. Affectionate and faithless, they were like so many casual lovers, no better than they should be, and gloriously on the make. In many ways, they are a fitting symbol or leitmotif for Craxton's own happy-go-lucky life. Containing new and original material, this widely accessible introduction to Craxton's work will appeal to the devotee and the uninitiated alike"--Publisher's description.
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Autorenporträt
Andrew Lambirth is a writer, curator, poet and collagist. He was art critic of The Spectator (2002-2014). His numerous books include full-length monographs on Ken Kiff (T&H), Roger Hilton (T&H), RB Kitaj, Allen Jones, Maggi Hambling, John Hoyland, Margaret Mellis, David Inshaw, Francis Davison, William Gear and John Nash. He developed with Eileen Agar her autobiography, A Look at My Life, and contributed to the new edition, published by Thames & Hudson in 2024.