Introduction: The Creative Worlds of Joseph Joachim Robert Whitehouse
Eshbach PART ONE: Identity 1. "Of the Highest Good": Joachim's Relationship
to Mendelssohn R. Larry Todd 2. Joseph Joachim and His Jewish Dilemma
Styra Avins 3. Joachim and Romani Musicians: Their Relationship and Common
Features in Performance Practice Mineo Ota PART TWO: Joachim as Performer
4. Joachim's Violins: Spotlights on Some of Them Ruprecht Kamlah 5.
(Re-)Enchanting Performance: Joachim and the Spirit of Beethoven Karen
Leistra-Jones 6. "Thou That Hast Been in England Many a Year": The British
Joachim Ian Maxwell 7. Joachim at the Crystal Palace Michael Musgrave 8.
"Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday
Popular Concerts, London Therese Ellsworth 9. "Das Quartett-Spiel ist doch
wohl mein eigentliches Fach": Joseph Joachim and the String Quartet Robert
Riggs 10. Professor Joachim and His Pupils Sanna Pederson 11. Performers as
Authors of Music History: Joseph and Amalie Joachim Beatrix Borchard 12. At
the Intersection of Performance and Composition: Joseph Joachim and
Brahms's Piano Quartet in A Major, Op. 26, Movement III William P. Horne
PART THREE: Joachim as Composer 13. Re-considering the Young
Composer-Performer Joseph Joachim, 1841-53 Katharina Uhde 14. "Franz Liszt
gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3 Vasiliki
Papadopoulou 15. Drama and Music in Joachim's Overture to Shakespeare's
Henry IV Valerie Woodring Goertzen 16. "So Gleams the Past, the Light of
Other Days": Joachim's Hebräische Melodien for Viola and Piano, Op. 9
(1853) Marie Sumner Lott 17. Tovey's View of Joachim's "Hungarian" Violin
Concerto Robert Riggs Bibliography Index
