Geraint D'Arcy brings all of the relevant theories and histories of set design together to produce a companion and guide to the critical study of scenic design. By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, the work redraws the history of scenic design in film and television.
Geraint D'Arcy brings all of the relevant theories and histories of set design together to produce a companion and guide to the critical study of scenic design. By using semiotics, history and narratology and adding concepts drawn from art, architecture and theatre, the work redraws the history of scenic design in film and television.
Geraint D'Arcy is a lecturer in Theatre and Drama at the University of South Wales where he also teaches the theory for TV and Film Set Design BA. He researches theories of design, technology and scenography in film, television and theatre and is published in several areas relating to these fields.
Inhaltsangabe
Acknowledgements 00_Introduction: Histories and Contexts 01_ Critical Underpinnings 02_Film, Realism and the Nineteenth-Century Crisis in Representation. 03_Television, History, Realism. 04_Architecture and Film. 05_Narrative and Film Design. 06_Reading Television Design Through Genre and Narrative. 07_Dramatic Function in Spatial Design. 08_Conclusion. INDEX
Acknowledgements 00_Introduction: Histories and Contexts 01_ Critical Underpinnings 02_Film, Realism and the Nineteenth-Century Crisis in Representation. 03_Television, History, Realism. 04_Architecture and Film. 05_Narrative and Film Design. 06_Reading Television Design Through Genre and Narrative. 07_Dramatic Function in Spatial Design. 08_Conclusion. INDEX
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