A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status.
A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status.
Isabelle Labrouillère is lecturer inperforming arts and film aesthetics at the ENSAV (Ecole Nationale Supérieure d'AudioVisuel), Université Toulouse-Jean Jaurès. Claire Parkinson is professor of culture, communication, and screen studies at Edge Hill University.
Inhaltsangabe
SECTION 1: NARRATIVE AND TIME Chapter 1. Precursor to the Puzzle: Narrational Strategies in Following Warren Buckland Chapter 2. 'We Need Mirrors to Remind Ourselves of Who We Are': Anamorphosis and the Singularity of Mirror Motifs in Christopher Nolan's Memento (2000) Isabelle Labrouillère Chapter 3. The Prestige, From Text to Screen: Transformation, Manipulation, Reflexivity Gilles Menegaldo Chapter 4. The Trauma Chronotype in Nolan's Dunkirk and Inception: Time, Space and Trauma Fran Pheasant-Kelly Chapter 5. Back From the Future: Tenet and the Politics of Nachträglichkeit Todd McGowan SECTION 2: COLLABORATIONS AND RELATIONSHIPS Chapter 6. "There's a Point Where We Just Let the Music Take Over Everything": The Collaboration of Christopher Nolan and Hans Zimmer" Bernadette Pace Chapter 7. A "Virtual Carte Blanche": Christopher Nolan, Warner. Bros., and Authorial Power in Contemporary Hollywood Kimberly A. Owczarski Chapter 8. Transnational Filmmaker, Fanboy-Auteur: Screening Nolan's
SECTION 1: NARRATIVE AND TIME Chapter 1. Precursor to the Puzzle: Narrational Strategies in Following Warren Buckland Chapter 2. 'We Need Mirrors to Remind Ourselves of Who We Are': Anamorphosis and the Singularity of Mirror Motifs in Christopher Nolan's Memento (2000) Isabelle Labrouillère Chapter 3. The Prestige, From Text to Screen: Transformation, Manipulation, Reflexivity Gilles Menegaldo Chapter 4. The Trauma Chronotype in Nolan's Dunkirk and Inception: Time, Space and Trauma Fran Pheasant-Kelly Chapter 5. Back From the Future: Tenet and the Politics of Nachträglichkeit Todd McGowan SECTION 2: COLLABORATIONS AND RELATIONSHIPS Chapter 6. "There's a Point Where We Just Let the Music Take Over Everything": The Collaboration of Christopher Nolan and Hans Zimmer" Bernadette Pace Chapter 7. A "Virtual Carte Blanche": Christopher Nolan, Warner. Bros., and Authorial Power in Contemporary Hollywood Kimberly A. Owczarski Chapter 8. Transnational Filmmaker, Fanboy-Auteur: Screening Nolan's
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