Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the fieldâ s nascent bibliography.
Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the fieldâ s nascent bibliography.
Iris van der Tuin is Professor of Theory of Cultural Inquiry in the Department of Philosophy and Religious Studies at the Faculty of Humanities of Utrecht University (Netherlands). Nanna Verhoeff is Professor of Screen Cultures & Society in the Department of Media and Culture Studies at the Faculty of Humanities of Utrecht University (Netherlands).
Inhaltsangabe
Acknowledgements Introduction Accent Accident Affect Ambient Architecture, Architexture Assembling Asterisk * Between No-Longer and Not-Yet Both/And Brackets [], Parentheses () Care, Ethics of Care Cartography, Performative Cartography Classifixation Collage Collective Imaginings Condition Contagion Contingency Crossing Curation Dash - , Hyphen - Deixis Diffraction Dirt Dispositif Dramaturgy Eco-, Ecology Encounter Engagement Failure Figuration Following Friction Generation, Generative Gesture Glow Habit Hashtag # Implication Interface Irreducibility, Irreduction Kaleidoscope, Kaleidoscopic Making Kin, Unkinning Micrology Mode, Modality, Multi-Modality Navigation Openness Pluriverse Prefiguration Procedure Proposition Punctuation Randomization Rhythm Risk Scale, Scaling Scape, -scapes Situation, Situatedness Somatechnics Speculation Sticky, Stickiness Surface Sympathy Synchrony, Synchronicity Theoretical Object, Knowledge Object Trace, Tracing Trans-, Transing Unlearning Wonder Zetesis INDEX of Concepts INDEX of Names Bibliography About the Authors
