This book addresses seventeenth- and twentieth-century Spanish theater, providing close readings of plays and their performances as well as the cultural and political climates in which these plays were produced. This is the first book dedicated to the study of the twentieth-century auto, and the book's unique cross-temporal approach appeals to a broad range of scholars of Spanish studies.
This book addresses seventeenth- and twentieth-century Spanish theater, providing close readings of plays and their performances as well as the cultural and political climates in which these plays were produced. This is the first book dedicated to the study of the twentieth-century auto, and the book's unique cross-temporal approach appeals to a broad range of scholars of Spanish studies.
Carey Kasten is assistant professor in the Department of Modern Languages and Literatures at Fordham University.
Inhaltsangabe
Acknowledgments Introduction: Autonomizing the Calderonian Auto Sacramental Section I: Tradition Revised: The Auto Sacramental in the Early Twentieth Century Chapter One: The Avant-Garde Rediscovery of the Auto Reviving the Calderonian Auto: An Avant-Garde Project Rewriting the Auto: The Aesthetic Turns Political Chapter Two: Francoism and the Auto as Political Mouthpiece Restoring the Auto: From the Battlefield to a National Theater Recalling the Fascist Auto: Miguel Hernández and Gonzalo Torrente Ballester Search for Autoridad Section II: Tradition Overthrown: The Auto Sacramental in the Post-Franco Era Chapter Three: Subverting Tradition: Francisco Nieva and His Sacred Irreverence Chapter Four: Emerging from Darkness: National and Theatrical Revision in Jesús Campos García's A ciegas Chapter Five: The Auto Industry: Anti-Commercialism and the Plays of Ernesto Caballero Conclusion Works Cited About the Author
Acknowledgments Introduction: Autonomizing the Calderonian Auto Sacramental Section I: Tradition Revised: The Auto Sacramental in the Early Twentieth Century Chapter One: The Avant-Garde Rediscovery of the Auto Reviving the Calderonian Auto: An Avant-Garde Project Rewriting the Auto: The Aesthetic Turns Political Chapter Two: Francoism and the Auto as Political Mouthpiece Restoring the Auto: From the Battlefield to a National Theater Recalling the Fascist Auto: Miguel Hernández and Gonzalo Torrente Ballester Search for Autoridad Section II: Tradition Overthrown: The Auto Sacramental in the Post-Franco Era Chapter Three: Subverting Tradition: Francisco Nieva and His Sacred Irreverence Chapter Four: Emerging from Darkness: National and Theatrical Revision in Jesús Campos García's A ciegas Chapter Five: The Auto Industry: Anti-Commercialism and the Plays of Ernesto Caballero Conclusion Works Cited About the Author
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