This work challenges the field of British cultural studies to return to the question of social class as a primary focus of study. The chapters examine contemporary working-class life and its depiction in the media through a number of case studies on topics such as popular cinema, football, romance magazines and club culture. The essays pose methodologies for understanding working-class responses to dominant culture, and explore the contradictions and limitations of the traditional Marxist model. The book's contributors conclude that it is time for cultural theorists to revisit issues of…mehr
This work challenges the field of British cultural studies to return to the question of social class as a primary focus of study. The chapters examine contemporary working-class life and its depiction in the media through a number of case studies on topics such as popular cinema, football, romance magazines and club culture. The essays pose methodologies for understanding working-class responses to dominant culture, and explore the contradictions and limitations of the traditional Marxist model. The book's contributors conclude that it is time for cultural theorists to revisit issues of working-class cultural formations and to renew the original radical intentions of the discipline by reintegrating class analysis into social templates of race, sexuality and gender.
Sally R. Munt is a reader in Media Representation and Analysis at the University of Brighton. She has published in the area of cultural studies, feminist theory, and lesbian and gay studies.
Inhaltsangabe
Part 1. Issues in Working-Class Identity and Methodology 1. If Anywhere: Class Identifications and Cultural Studies Academics 2. Discursive Mothers and Academic Fandom: Class, Generation and the Production of Theory 3. The Theme That Dare Not Speak Its Name: Class and Recent British Film 4. 'This Is About Us, This Is Our Film! Personal and Popular Discourses of 'Underclass' 5. Black Women and Social-Class Identity Part 2. Class, Taste and Space 6. Culture, Class and Taste 7. Escape and Escapism: Representing Working-Class Women 8. The Appearance of Class: Challenges in Gay Space 9. Children's Urban Landscapes: Configurations of Class and Place Part 3: Gender, Fictions and Working-Class Subjectivities 10. 'Why Do You Say I Am?' Jesus, Gender and the (Working-Class) Family Romance 11. Death in the Good Old Days: True Crime Tales and Social History 12. 'Can't Help Lovin' Dat Man': Social Class and the Female Voice in Nil by Mouth 13. Homophobic Violence: The Hidden Injuries of Class 14. Millwall Football Club: Masculinity, Race and Belonging
Part 1. Issues in Working-Class Identity and Methodology 1. If Anywhere: Class Identifications and Cultural Studies Academics 2. Discursive Mothers and Academic Fandom: Class, Generation and the Production of Theory 3. The Theme That Dare Not Speak Its Name: Class and Recent British Film 4. 'This Is About Us, This Is Our Film! Personal and Popular Discourses of 'Underclass' 5. Black Women and Social-Class Identity Part 2. Class, Taste and Space 6. Culture, Class and Taste 7. Escape and Escapism: Representing Working-Class Women 8. The Appearance of Class: Challenges in Gay Space 9. Children's Urban Landscapes: Configurations of Class and Place Part 3: Gender, Fictions and Working-Class Subjectivities 10. 'Why Do You Say I Am?' Jesus, Gender and the (Working-Class) Family Romance 11. Death in the Good Old Days: True Crime Tales and Social History 12. 'Can't Help Lovin' Dat Man': Social Class and the Female Voice in Nil by Mouth 13. Homophobic Violence: The Hidden Injuries of Class 14. Millwall Football Club: Masculinity, Race and Belonging
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