Featuring new essays by such prominent cultural theorists as Tony Bennett, Homi Bhabha, Donna Haraway, bell hooks, Constance Penley, Janice Radway, Andrew Ross, and Cornel West, Cultural Studies offers numerous specific cultural analyses while simultaneously defining and debating the common body of assumptions, questions, and concerns that have helped create the field.
Featuring new essays by such prominent cultural theorists as Tony Bennett, Homi Bhabha, Donna Haraway, bell hooks, Constance Penley, Janice Radway, Andrew Ross, and Cornel West, Cultural Studies offers numerous specific cultural analyses while simultaneously defining and debating the common body of assumptions, questions, and concerns that have helped create the field.
Lawrence Grossberg, Cary Nelson, and Paula Treichler areall well known for their extensive publications on modernculture.
Inhaltsangabe
1: Cultural Studies 2: Putting Policy into Cultural Studies 3: Angels Dancing 4: Postcolonial Authority and Postmodern Guilt 5: Engaging with the Popular 6: I Throw Punches for My Race, but I Don't Want to Be a Man 7: Traveling Cultures 8: Portraits of People with AIDS 9: What is Real and What is Not 10: Cultural Studies and the Culture of Everyday Life 11: The Cultural Study of Popular Music 12: Cultural Studies and Ethnic Absolutism 1 13: Resisting Difference 14: Guns in the House of Culture? 15: AIDS, Keywords, and Cultural Work 16: Missionary Stories 17: Cultural Studies and its Theoretical Legacies 18: The Promises of Monsters 19: Representing Whiteness in the Black Imagination 20: Aesthetics and Cultural Studies 21: (Male) Desire and (Female) Disgust 22: Cultural Theory, Colonial Texts 23: Body Narratives, Body Boundaries 24: "1968" 25: "On the Beach" 26: Feminism Psychoanalysis, and the Study of Popular Culture 27: Technologizing the Self 28: Mail-Order Culture and Its Critics 29: New Age Technoculture 30: The Pachuco's Flayed Hide 31: Ethics and Cultural Studies 32: Shakespeare, the Individual, and the Text 1 33: Culture, Cultural Studies, and the Historians 34: Bandits, Heroes, the Honest, and the Misled 35: "It Works for Me" 36: Negative Images 37: Spectacular Action 38: The Postmodern Crisis of the Black Intellectuals 39: Excess and Inhibition 40: Post-Marxism and Cultural Studies
1: Cultural Studies 2: Putting Policy into Cultural Studies 3: Angels Dancing 4: Postcolonial Authority and Postmodern Guilt 5: Engaging with the Popular 6: I Throw Punches for My Race, but I Don't Want to Be a Man 7: Traveling Cultures 8: Portraits of People with AIDS 9: What is Real and What is Not 10: Cultural Studies and the Culture of Everyday Life 11: The Cultural Study of Popular Music 12: Cultural Studies and Ethnic Absolutism 1 13: Resisting Difference 14: Guns in the House of Culture? 15: AIDS, Keywords, and Cultural Work 16: Missionary Stories 17: Cultural Studies and its Theoretical Legacies 18: The Promises of Monsters 19: Representing Whiteness in the Black Imagination 20: Aesthetics and Cultural Studies 21: (Male) Desire and (Female) Disgust 22: Cultural Theory, Colonial Texts 23: Body Narratives, Body Boundaries 24: "1968" 25: "On the Beach" 26: Feminism Psychoanalysis, and the Study of Popular Culture 27: Technologizing the Self 28: Mail-Order Culture and Its Critics 29: New Age Technoculture 30: The Pachuco's Flayed Hide 31: Ethics and Cultural Studies 32: Shakespeare, the Individual, and the Text 1 33: Culture, Cultural Studies, and the Historians 34: Bandits, Heroes, the Honest, and the Misled 35: "It Works for Me" 36: Negative Images 37: Spectacular Action 38: The Postmodern Crisis of the Black Intellectuals 39: Excess and Inhibition 40: Post-Marxism and Cultural Studies
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