Explores how different groups fought over who could definitively claim to represent the authentically "great German culture" Analyzes the highly complex interconnections among the cultural-political concepts Asks why the most artistically ambitious art forms were viewed as politically important by Germans between 1933 to 1945
Explores how different groups fought over who could definitively claim to represent the authentically "great German culture" Analyzes the highly complex interconnections among the cultural-political concepts Asks why the most artistically ambitious art forms were viewed as politically important by Germans between 1933 to 1945
Jost Hermand is Vilas Professor Emeritus at the University of Wisconsin, Madison and Honorary Professor at the Humboldt University in Berlin. He has been visiting professor at universities across the U.S. and Germany, is a fellow of the Vienna Academy, member of the Saxon Academy in Leipzig, and holds an honorary doctorate from the University of Kassel.
Inhaltsangabe
Preface Chapter 1. Three Claims to Cultural Representation Part I: Nazi Fascism Chapter 2. Cultural-Political Preconditions Chapter 3. Enemy Stereotypes Chapter 4. Stated Objectives Chapter 5. The Ideal of an « Eternally German » Culture Chapter 6. Approaches to Practical Implementation Chapter 7. Consequences for the Arts * Architecture * Painting and Sculpture * Music * Literature * Theater * Radio, Film, and the Press Chapter 8. Class-Specific Successes of National Socialist Cultural Policies Part II: Inner Emigration Chapter 9. Between Aversion and Accommodation Chapter 10. Forms of Artistic Expression * Literature * Painting and Sculpture * Music Part III: Exile Chapter 11. Fragmentation of the German Exile Community Chapter 12. Places of Refuge Chapter 13. Possibilities for an Effective Antifascism Chapter 14. Consequences for the Arts * Literature * Theater * Film * Painting, Graphic Art, and Photomontage * Music Chapter 15. Visions of a "Liberated" Culture in Post-Fascist Germany Selected Bibliography
Preface Chapter 1. Three Claims to Cultural Representation Part I: Nazi Fascism Chapter 2. Cultural-Political Preconditions Chapter 3. Enemy Stereotypes Chapter 4. Stated Objectives Chapter 5. The Ideal of an « Eternally German » Culture Chapter 6. Approaches to Practical Implementation Chapter 7. Consequences for the Arts * Architecture * Painting and Sculpture * Music * Literature * Theater * Radio, Film, and the Press Chapter 8. Class-Specific Successes of National Socialist Cultural Policies Part II: Inner Emigration Chapter 9. Between Aversion and Accommodation Chapter 10. Forms of Artistic Expression * Literature * Painting and Sculpture * Music Part III: Exile Chapter 11. Fragmentation of the German Exile Community Chapter 12. Places of Refuge Chapter 13. Possibilities for an Effective Antifascism Chapter 14. Consequences for the Arts * Literature * Theater * Film * Painting, Graphic Art, and Photomontage * Music Chapter 15. Visions of a "Liberated" Culture in Post-Fascist Germany Selected Bibliography
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