Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means.
Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means.
Ruth Kinna works at Loughborough University in the School of Social Sciences and Humanities as a political theorist and historian of ideas. Gillian Whiteley is Senior Lecturer in Art History and Visual Culture at Loughborough University and co-organiser of RadicalAesthetics-RadicalArt.
Inhaltsangabe
Introduction: Art, culture and violence Chapter 1: From Watts to Wall Street: A situationist analysis of political violence Chapter 2: Protest art and public space: Oleg Kulik and the strategies of Moscow Actionism Chapter 3: Project sigma: The temporality of activism Chapter 4: Challenging state-led political violence with art-activism: Focus on borders Chapter 5: Power v. violence: how can contemporary art create a 'space of appearance' and generate social change?
Introduction: Art, culture and violence Chapter 1: From Watts to Wall Street: A situationist analysis of political violence Chapter 2: Protest art and public space: Oleg Kulik and the strategies of Moscow Actionism Chapter 3: Project sigma: The temporality of activism Chapter 4: Challenging state-led political violence with art-activism: Focus on borders Chapter 5: Power v. violence: how can contemporary art create a 'space of appearance' and generate social change?
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