Striking a balance between theoretical investigations and case studies, this book addresses the collection, representation and exhibition of architecture and the built environment. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric.
Striking a balance between theoretical investigations and case studies, this book addresses the collection, representation and exhibition of architecture and the built environment. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric.
Sarah Chaplin is Deputy Director of the Urban Renaissance Institute and Professor of Architecture and Urbanism at the University of Greenwich, London. Alexandra Stara is Director of Graduate History & Theory and Principal Lecturer at the School of Architecture & Landscape, University of Kingston, UK.
Inhaltsangabe
Introduction Part 1: City Tours and Urban Reveries 1. Remembering Dublin in Ulysses 2. Choose (What) to Learn from Las Vegas, LA, London, Rome, Lagos...? 3. Curated Desires: Film, Photography and the Visual Transformation of Urban Space in Surrealism 4. Moving City: Curating Architecture on Site 5. Awaiting the Voice-Over: The Oresund Film Commission Location Database and the Mediatization of Architectural Landscape 6. Curating Contemporary Architecture: Touring the Bilbao Guggenheim and Seattle Central Library Part 2: Rethinking Curatorship, Rethinking Architecture 7. Cura 8. Caring for Dead Architecture 9. Exhibiting Architecture: The Installation as Laboratory for Emerging Architecture 10. From Flash Art to Flash Mob: Art in the Age of Spectacularisation 11. Reading into the Mysteries of Artemis Ephesia Part 3: Re-interpreting Public Space and Cultural Heritage 12. Curating the Social, Curating the Architectural 13. Expanding the Public Realm Through Curated Collaborative Action: The Echigo Tsumari Abandoned House Project 14. Curating the Nation: Turkish Pavilions in World Expositions 15. After Branding - A Lively Downtown? 16. The Necessity of Distance: Setting the Position for Critical Spatial Practice 17. Urban Fictions with the Office for Subversive Architecture. Afterword
Introduction Part 1: City Tours and Urban Reveries 1. Remembering Dublin in Ulysses 2. Choose (What) to Learn from Las Vegas, LA, London, Rome, Lagos...? 3. Curated Desires: Film, Photography and the Visual Transformation of Urban Space in Surrealism 4. Moving City: Curating Architecture on Site 5. Awaiting the Voice-Over: The Oresund Film Commission Location Database and the Mediatization of Architectural Landscape 6. Curating Contemporary Architecture: Touring the Bilbao Guggenheim and Seattle Central Library Part 2: Rethinking Curatorship, Rethinking Architecture 7. Cura 8. Caring for Dead Architecture 9. Exhibiting Architecture: The Installation as Laboratory for Emerging Architecture 10. From Flash Art to Flash Mob: Art in the Age of Spectacularisation 11. Reading into the Mysteries of Artemis Ephesia Part 3: Re-interpreting Public Space and Cultural Heritage 12. Curating the Social, Curating the Architectural 13. Expanding the Public Realm Through Curated Collaborative Action: The Echigo Tsumari Abandoned House Project 14. Curating the Nation: Turkish Pavilions in World Expositions 15. After Branding - A Lively Downtown? 16. The Necessity of Distance: Setting the Position for Critical Spatial Practice 17. Urban Fictions with the Office for Subversive Architecture. Afterword
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