- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Thirty-nine essays and articles, written by D. H. Lawrence in the period between 1926 and his death in 1930, are collected in this volume. They include the contentious introduction to his own volume of Paintings, the highly controversial essay Pornography and Obscenity, and two autobiographical pieces never published before.
Andere Kunden interessierten sich auch für
- Eliseo VivasD. H. Lawrence45,99 €
- Petar PendaAesthetics and Ideology of D. H. Lawrence, Virginia Woolf, and T. S. Eliot104,99 €
- Annalise GriceD. H. Lawrence and the Literary Marketplace107,99 €
- D. H. LawrenceThe Letters of D. H. Lawrence96,99 €
- D. H. LawrenceD. H. Lawrence and Italy16,99 €
- John WorthenD. H. Lawrence24,99 €
- The Edinburgh Companion to D. H. Lawrence and the Arts198,99 €
-
-
-
Thirty-nine essays and articles, written by D. H. Lawrence in the period between 1926 and his death in 1930, are collected in this volume. They include the contentious introduction to his own volume of Paintings, the highly controversial essay Pornography and Obscenity, and two autobiographical pieces never published before.
Produktdetails
- Produktdetails
- The Cambridge Edition of the Works of D. H. Lawrence
- Verlag: Cambridge University Press
- Seitenzahl: 466
- Erscheinungstermin: 11. Juni 2014
- Englisch
- Abmessung: 216mm x 140mm x 25mm
- Gewicht: 576g
- ISBN-13: 9781107461833
- ISBN-10: 1107461839
- Artikelnr.: 41124377
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- The Cambridge Edition of the Works of D. H. Lawrence
- Verlag: Cambridge University Press
- Seitenzahl: 466
- Erscheinungstermin: 11. Juni 2014
- Englisch
- Abmessung: 216mm x 140mm x 25mm
- Gewicht: 576g
- ISBN-13: 9781107461833
- ISBN-10: 1107461839
- Artikelnr.: 41124377
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Born on September 11, 1885, in Eastwood, Nottinghamshire, England, David Herbert Lawrence was the fourth child of a coal miner and a former schoolteacher. His upbringing in a working-class family deeply influenced his literary themes, particularly the tensions between industrialization and nature. Lawrence's early education and experiences in his hometown laid the foundation for his future works.In 1912, Lawrence met Frieda Weekley, with whom he eloped to Europe, marking the beginning of his extensive travels. This period saw the creation of some of his most significant novels, including Sons and Lovers (1913) and The Rainbow (1915), which explored complex human relationships and societal constraints. His candid portrayal of sexuality and critique of industrial society often led to controversy and censorship.Despite facing persecution and public misrepresentation, Lawrence continued to produce influential works across various genres. His final novel, Lady Chatterley's Lover (1928), was notorious for its explicit content and faced numerous legal challenges. Lawrence's relentless exploration of human emotions and social norms has solidified his legacy as a pivotal figure in modernist literature.
General editor's preface
Prefatory note
Acknowledgements
Chronology
Cue-titles
Introduction
Late essays and articles: Note on the texts
Mercury
[Return to Bestwood]
Getting on
Which class I belong to
Newthorpe in 2927
The 'Jeune Fille' wants to know
Laura Philippine
That women know best
All there
Thinking about oneself
Insouciance
Master in his own house
Matriarchy
Ownership
Autobiography
Women are so cocksure
Why I don't like living in London
Cocksure women and hen-sure men
Hymns in a man's life
Red trousers
Is England still a man's country?
Sex appeal
Do women change
Enslaved by civilisation
Give her a pattern
Introduction to pictures
Myself revealed
Introduction to these paintings
The state of funk
Making pictures
Pornography and obscenity
Pictures on the wall
The risen lord
Men must work and women as well
Nottingham and the mining countryside
We need one another
The real thing
Nobody loves me
Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'
Appendix 2. Vanity Fair version of 'Do Women Change'
Appendix 3. 'Mushrooms': an autobiographical fragment
Explanatory notes
Textual apparatus
A note on pounds, shillings and pence.
Prefatory note
Acknowledgements
Chronology
Cue-titles
Introduction
Late essays and articles: Note on the texts
Mercury
[Return to Bestwood]
Getting on
Which class I belong to
Newthorpe in 2927
The 'Jeune Fille' wants to know
Laura Philippine
That women know best
All there
Thinking about oneself
Insouciance
Master in his own house
Matriarchy
Ownership
Autobiography
Women are so cocksure
Why I don't like living in London
Cocksure women and hen-sure men
Hymns in a man's life
Red trousers
Is England still a man's country?
Sex appeal
Do women change
Enslaved by civilisation
Give her a pattern
Introduction to pictures
Myself revealed
Introduction to these paintings
The state of funk
Making pictures
Pornography and obscenity
Pictures on the wall
The risen lord
Men must work and women as well
Nottingham and the mining countryside
We need one another
The real thing
Nobody loves me
Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'
Appendix 2. Vanity Fair version of 'Do Women Change'
Appendix 3. 'Mushrooms': an autobiographical fragment
Explanatory notes
Textual apparatus
A note on pounds, shillings and pence.
General editor's preface
Prefatory note
Acknowledgements
Chronology
Cue-titles
Introduction
Late essays and articles: Note on the texts
Mercury
[Return to Bestwood]
Getting on
Which class I belong to
Newthorpe in 2927
The 'Jeune Fille' wants to know
Laura Philippine
That women know best
All there
Thinking about oneself
Insouciance
Master in his own house
Matriarchy
Ownership
Autobiography
Women are so cocksure
Why I don't like living in London
Cocksure women and hen-sure men
Hymns in a man's life
Red trousers
Is England still a man's country?
Sex appeal
Do women change
Enslaved by civilisation
Give her a pattern
Introduction to pictures
Myself revealed
Introduction to these paintings
The state of funk
Making pictures
Pornography and obscenity
Pictures on the wall
The risen lord
Men must work and women as well
Nottingham and the mining countryside
We need one another
The real thing
Nobody loves me
Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'
Appendix 2. Vanity Fair version of 'Do Women Change'
Appendix 3. 'Mushrooms': an autobiographical fragment
Explanatory notes
Textual apparatus
A note on pounds, shillings and pence.
Prefatory note
Acknowledgements
Chronology
Cue-titles
Introduction
Late essays and articles: Note on the texts
Mercury
[Return to Bestwood]
Getting on
Which class I belong to
Newthorpe in 2927
The 'Jeune Fille' wants to know
Laura Philippine
That women know best
All there
Thinking about oneself
Insouciance
Master in his own house
Matriarchy
Ownership
Autobiography
Women are so cocksure
Why I don't like living in London
Cocksure women and hen-sure men
Hymns in a man's life
Red trousers
Is England still a man's country?
Sex appeal
Do women change
Enslaved by civilisation
Give her a pattern
Introduction to pictures
Myself revealed
Introduction to these paintings
The state of funk
Making pictures
Pornography and obscenity
Pictures on the wall
The risen lord
Men must work and women as well
Nottingham and the mining countryside
We need one another
The real thing
Nobody loves me
Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'
Appendix 2. Vanity Fair version of 'Do Women Change'
Appendix 3. 'Mushrooms': an autobiographical fragment
Explanatory notes
Textual apparatus
A note on pounds, shillings and pence.