Dance and Sociability in the Long Eighteenth Century
Herausgeber: Burlock, Hillary; Philp, Mark; Newman, Ian
Dance and Sociability in the Long Eighteenth Century
Herausgeber: Burlock, Hillary; Philp, Mark; Newman, Ian
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This collection explores the relationship between dance and sociability during the 18th century in Britain, Europe, America and the Caribbean.
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This collection explores the relationship between dance and sociability during the 18th century in Britain, Europe, America and the Caribbean.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 288
- Erscheinungstermin: 5. Februar 2026
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350498921
- ISBN-10: 1350498920
- Artikelnr.: 74853861
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 288
- Erscheinungstermin: 5. Februar 2026
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350498921
- ISBN-10: 1350498920
- Artikelnr.: 74853861
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Hillary Burlock is a British Academy Postdoctoral Fellow at the University of Liverpool. Ian Newman is Associate Professor of English at the University of Notre Dame, USA, and a fellow of the Keough-Naughton Institute for Irish Studies. Mark Philp is Emeritus Professor of History and Politics at the University of Warwick, UK, and Emeritus Fellow of Oriel College, University of Oxford, UK.
Introduction: Sociability and Movement, Mark Philp, Ian Newman and Hillary
Burlock (University of Warwick, UK, University of Notre Dame, USA, and
University of Liverpool, UK)
Dancing Bodies
1. 'Je ne sais quoi': Grace, Ease, and Embodiment in Georgian Britain,
Hillary Burlock (University of Liverpool, UK)
2. 'Open to the World': Masculinity and the Turned-out Body in England,
1720-1830, Caitlyn Lehmann (University of Melbourne, Australia)
3. 'Hopping in London': Genre and Representation of Regency Dance in Austen
and Egan, Ian Newman, (Notre Dame University, USA)
Learning to Dance
4. Dance lessons: Making young people genteel in eighteenth-century Norway,
Elizabeth Svarstad (Norwegian Academy of Music, Norway)
5. Dance at Home in Georgian England, Katrina Faulds (University of
Southampton, UK)
6. William Bodley Francis: An English performer and dancing master in early
America
Lynn Matluck Brooks (Franklin and Marshall College, USA)
Stage and Ballroom
7. Sociability and hidden connections: The ballet stage and ballroom in the
long eighteenth century, Ambre Emory-Maier and Valarie Williams (Kent State
University and The Ohio State University, USA)
8. 'German' vs. 'Viennese': Notes on the social and conceptual history of
waltzing in the German-speaking world. Hanna Walsdorf (University of Basel,
Switzerland)
9. From the Louvre to the Waltz: Changing Relationships within the Couple
Dance, Moira Goff (Independent scholar)
10. Courting a dancing court in waiting: Winning hearts and minds in
Brussels: Embodying a restoration monarchy (1815 - 1830), Cornelis
Vanistendael (Independent Scholar)
Dance Spaces
11. Women Waltzing at Almack's: New Freedoms and Constraints, Peggy Murray
(Eastman School of Music, USA)
12. Music and Dances in Edinburgh Polite Society through the Eyes of
British and French Travelers, 1784-1804, Sabrina Julliet Garzon (University
Sorbonne Paris Nord, France)
12. La Tumba Francesa: The dance event and the social club, Catherine
Turocy and Marcia Daiter
Conclusion
Burlock (University of Warwick, UK, University of Notre Dame, USA, and
University of Liverpool, UK)
Dancing Bodies
1. 'Je ne sais quoi': Grace, Ease, and Embodiment in Georgian Britain,
Hillary Burlock (University of Liverpool, UK)
2. 'Open to the World': Masculinity and the Turned-out Body in England,
1720-1830, Caitlyn Lehmann (University of Melbourne, Australia)
3. 'Hopping in London': Genre and Representation of Regency Dance in Austen
and Egan, Ian Newman, (Notre Dame University, USA)
Learning to Dance
4. Dance lessons: Making young people genteel in eighteenth-century Norway,
Elizabeth Svarstad (Norwegian Academy of Music, Norway)
5. Dance at Home in Georgian England, Katrina Faulds (University of
Southampton, UK)
6. William Bodley Francis: An English performer and dancing master in early
America
Lynn Matluck Brooks (Franklin and Marshall College, USA)
Stage and Ballroom
7. Sociability and hidden connections: The ballet stage and ballroom in the
long eighteenth century, Ambre Emory-Maier and Valarie Williams (Kent State
University and The Ohio State University, USA)
8. 'German' vs. 'Viennese': Notes on the social and conceptual history of
waltzing in the German-speaking world. Hanna Walsdorf (University of Basel,
Switzerland)
9. From the Louvre to the Waltz: Changing Relationships within the Couple
Dance, Moira Goff (Independent scholar)
10. Courting a dancing court in waiting: Winning hearts and minds in
Brussels: Embodying a restoration monarchy (1815 - 1830), Cornelis
Vanistendael (Independent Scholar)
Dance Spaces
11. Women Waltzing at Almack's: New Freedoms and Constraints, Peggy Murray
(Eastman School of Music, USA)
12. Music and Dances in Edinburgh Polite Society through the Eyes of
British and French Travelers, 1784-1804, Sabrina Julliet Garzon (University
Sorbonne Paris Nord, France)
12. La Tumba Francesa: The dance event and the social club, Catherine
Turocy and Marcia Daiter
Conclusion
Introduction: Sociability and Movement, Mark Philp, Ian Newman and Hillary
Burlock (University of Warwick, UK, University of Notre Dame, USA, and
University of Liverpool, UK)
Dancing Bodies
1. 'Je ne sais quoi': Grace, Ease, and Embodiment in Georgian Britain,
Hillary Burlock (University of Liverpool, UK)
2. 'Open to the World': Masculinity and the Turned-out Body in England,
1720-1830, Caitlyn Lehmann (University of Melbourne, Australia)
3. 'Hopping in London': Genre and Representation of Regency Dance in Austen
and Egan, Ian Newman, (Notre Dame University, USA)
Learning to Dance
4. Dance lessons: Making young people genteel in eighteenth-century Norway,
Elizabeth Svarstad (Norwegian Academy of Music, Norway)
5. Dance at Home in Georgian England, Katrina Faulds (University of
Southampton, UK)
6. William Bodley Francis: An English performer and dancing master in early
America
Lynn Matluck Brooks (Franklin and Marshall College, USA)
Stage and Ballroom
7. Sociability and hidden connections: The ballet stage and ballroom in the
long eighteenth century, Ambre Emory-Maier and Valarie Williams (Kent State
University and The Ohio State University, USA)
8. 'German' vs. 'Viennese': Notes on the social and conceptual history of
waltzing in the German-speaking world. Hanna Walsdorf (University of Basel,
Switzerland)
9. From the Louvre to the Waltz: Changing Relationships within the Couple
Dance, Moira Goff (Independent scholar)
10. Courting a dancing court in waiting: Winning hearts and minds in
Brussels: Embodying a restoration monarchy (1815 - 1830), Cornelis
Vanistendael (Independent Scholar)
Dance Spaces
11. Women Waltzing at Almack's: New Freedoms and Constraints, Peggy Murray
(Eastman School of Music, USA)
12. Music and Dances in Edinburgh Polite Society through the Eyes of
British and French Travelers, 1784-1804, Sabrina Julliet Garzon (University
Sorbonne Paris Nord, France)
12. La Tumba Francesa: The dance event and the social club, Catherine
Turocy and Marcia Daiter
Conclusion
Burlock (University of Warwick, UK, University of Notre Dame, USA, and
University of Liverpool, UK)
Dancing Bodies
1. 'Je ne sais quoi': Grace, Ease, and Embodiment in Georgian Britain,
Hillary Burlock (University of Liverpool, UK)
2. 'Open to the World': Masculinity and the Turned-out Body in England,
1720-1830, Caitlyn Lehmann (University of Melbourne, Australia)
3. 'Hopping in London': Genre and Representation of Regency Dance in Austen
and Egan, Ian Newman, (Notre Dame University, USA)
Learning to Dance
4. Dance lessons: Making young people genteel in eighteenth-century Norway,
Elizabeth Svarstad (Norwegian Academy of Music, Norway)
5. Dance at Home in Georgian England, Katrina Faulds (University of
Southampton, UK)
6. William Bodley Francis: An English performer and dancing master in early
America
Lynn Matluck Brooks (Franklin and Marshall College, USA)
Stage and Ballroom
7. Sociability and hidden connections: The ballet stage and ballroom in the
long eighteenth century, Ambre Emory-Maier and Valarie Williams (Kent State
University and The Ohio State University, USA)
8. 'German' vs. 'Viennese': Notes on the social and conceptual history of
waltzing in the German-speaking world. Hanna Walsdorf (University of Basel,
Switzerland)
9. From the Louvre to the Waltz: Changing Relationships within the Couple
Dance, Moira Goff (Independent scholar)
10. Courting a dancing court in waiting: Winning hearts and minds in
Brussels: Embodying a restoration monarchy (1815 - 1830), Cornelis
Vanistendael (Independent Scholar)
Dance Spaces
11. Women Waltzing at Almack's: New Freedoms and Constraints, Peggy Murray
(Eastman School of Music, USA)
12. Music and Dances in Edinburgh Polite Society through the Eyes of
British and French Travelers, 1784-1804, Sabrina Julliet Garzon (University
Sorbonne Paris Nord, France)
12. La Tumba Francesa: The dance event and the social club, Catherine
Turocy and Marcia Daiter
Conclusion







