There was no science of dance in the history. The untrue thesis of the dance in the history emerges as the eradication of the education and furthermore the worship of the matter and furthermore the war against the right principle. A scientifical research on the dance has been initiated in the beginning twenty-first century. The foci of this scientifical research are epistemological methods of research and proof, astrophysics of the expanded outer space system, widened pattern within twelve races, analysis methods of direction, analysis conceptions of a choreography, conceptual race…mehr
There was no science of dance in the history. The untrue thesis of the dance in the history emerges as the eradication of the education and furthermore the worship of the matter and furthermore the war against the right principle. A scientifical research on the dance has been initiated in the beginning twenty-first century. The foci of this scientifical research are epistemological methods of research and proof, astrophysics of the expanded outer space system, widened pattern within twelve races, analysis methods of direction, analysis conceptions of a choreography, conceptual race psychological semiotics, historical conceptions of the dance, race psychology of the choreography and the methods of dance and performance. They mean a birth for the dance science. They defeat the untrue belief in a never existed dance. The absence of the dance in the history has been proved as constituted non-improvisational and mechanical movement patterns added to communicative deceptions of perverse races. For this reason we need a science of meanings and signs and chi. For this reason we need a science of dance. For this reason we need a dance science of the astrophysics. The goal of this book is the dance science.
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Autorenporträt
2011 - 2013 bachelor of arts Philosophie Universität Leipzig 2013 - 2017 bachelor of arts Philosophie Freie Universität Berlin 2017 - 2018 master of arts Regie und Tanz 2018 Doktortitel Regiewissenschaft 2019 - 2024 Doktortitel Psychologie und Doktortitel Astrophysik
Inhaltsangabe
1. foreword 1.a. target setting 1.b. target group of the readership 1.c. development process 1.d. supporting literature 1.e. scientifical justification 1.f. interpretation 2. interdisciplinary intellectual scientifical justification with the astrophysics 2.a. epistemological methods of research and proof 2.a.a. necessary conditions of the dance science 2.a.b. information independent of the dance science 2.a.c. astrophysical semiotical definitions of the dance science 2.a.d. truth proof method: priorities of truth 2.a.e. proof method for meanings: method of sign analysis 2.a.f. research initiative method: scientifical chi medium 2.b. theories of the astrophysics 2.b.a. astrophysics of the expanded outer space system 2.b.b. widened pattern within twelve races 2.b.c. analysis methods of direction 3. conceptions of the dance science 3.a. analysis conceptions of the choreography 3.a.a. inner maturation process 3.a.b. semiotical analysis of the body 3.a.c. time axis and personality axis 3.a.d. vertical analysis perspective of the intelligence principle 3.b. conceptual race psychological semiotics 3.b.a. communicative sign languages of the widened pattern within twelve races 3.b.a.a. sign languages of macrocosmic race forms 3.b.a.a.a. race creator of the outer space system 3.b.a.a.b. race white matter 3.b.a.a.c. race concept 3.b.a.a.d. race macrocosmic consciousness 3.b.a.a.e. race human 3.b.a.b. sign languages of microcosmic race forms 3.b.a.b.a. race murderer 3.b.a.b.b. race animal 3.b.a.b.c. race machine 3.b.a.b.d. race Idu 3.b.a.b.e. race microcosmic consciousness 3.b.a.b.f. race perception 3.b.a.b.g. race extraterrestrial death victim 3.c. historical conceptions of the dance 3.c.a. 500 before Christ until 1100 after Christ 3.c.a.a. religious-magical 3.c.b. 1100 until 1699 after Christ 3.c.b.a. maximal right-social 3.c.c. 1700 until 1999 after Christ 3.c.c.a. acrobatical-fitness 3.d. dialectics of the dance 3.d.a. utopia in the dance 3.d.b. dystopia in the dance 3.d.c. utopia in the ballet 3.d.d. dystopia in the ballet 3.d.e. utopia of the chi medium 3.d.f. dystopia of the chi medium 4. race psychology of the choreography 4.a. astrophysical semiotical definitions of the movement 4.b. development of dance and performance 4.c. methods of dance, performance and choreography 4.d. historical examples of dance, performance, acrobatics 5. conclusion
1. foreword 1.a. target setting 1.b. target group of the readership 1.c. development process 1.d. supporting literature 1.e. scientifical justification 1.f. interpretation 2. interdisciplinary intellectual scientifical justification with the astrophysics 2.a. epistemological methods of research and proof 2.a.a. necessary conditions of the dance science 2.a.b. information independent of the dance science 2.a.c. astrophysical semiotical definitions of the dance science 2.a.d. truth proof method: priorities of truth 2.a.e. proof method for meanings: method of sign analysis 2.a.f. research initiative method: scientifical chi medium 2.b. theories of the astrophysics 2.b.a. astrophysics of the expanded outer space system 2.b.b. widened pattern within twelve races 2.b.c. analysis methods of direction 3. conceptions of the dance science 3.a. analysis conceptions of the choreography 3.a.a. inner maturation process 3.a.b. semiotical analysis of the body 3.a.c. time axis and personality axis 3.a.d. vertical analysis perspective of the intelligence principle 3.b. conceptual race psychological semiotics 3.b.a. communicative sign languages of the widened pattern within twelve races 3.b.a.a. sign languages of macrocosmic race forms 3.b.a.a.a. race creator of the outer space system 3.b.a.a.b. race white matter 3.b.a.a.c. race concept 3.b.a.a.d. race macrocosmic consciousness 3.b.a.a.e. race human 3.b.a.b. sign languages of microcosmic race forms 3.b.a.b.a. race murderer 3.b.a.b.b. race animal 3.b.a.b.c. race machine 3.b.a.b.d. race Idu 3.b.a.b.e. race microcosmic consciousness 3.b.a.b.f. race perception 3.b.a.b.g. race extraterrestrial death victim 3.c. historical conceptions of the dance 3.c.a. 500 before Christ until 1100 after Christ 3.c.a.a. religious-magical 3.c.b. 1100 until 1699 after Christ 3.c.b.a. maximal right-social 3.c.c. 1700 until 1999 after Christ 3.c.c.a. acrobatical-fitness 3.d. dialectics of the dance 3.d.a. utopia in the dance 3.d.b. dystopia in the dance 3.d.c. utopia in the ballet 3.d.d. dystopia in the ballet 3.d.e. utopia of the chi medium 3.d.f. dystopia of the chi medium 4. race psychology of the choreography 4.a. astrophysical semiotical definitions of the movement 4.b. development of dance and performance 4.c. methods of dance, performance and choreography 4.d. historical examples of dance, performance, acrobatics 5. conclusion
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