Jennifer Nevile is an Honorary Research Fellow in Music and Music Education at the University of New South Wales. Her research on fifteenth- and sixteenth-century dance practices and their relationship with other contemporary artistic practices, as well as choreographic analysis of individual works and genres, has been published in twenty articles and book chapters. She is also the author of The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (Indiana University Press, 2004).
Jennifer Nevile is an Honorary Research Fellow in Music and Music Education at the University of New South Wales. Her research on fifteenth- and sixteenth-century dance practices and their relationship with other contemporary artistic practices, as well as choreographic analysis of individual works and genres, has been published in twenty articles and book chapters. She is also the author of The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (Indiana University Press, 2004).
Part 1. Introduction and Overview 1. Dance in Europe 1250-1750 Part 2. Dance at Court and in the City 2. Dance in Late Thirteenth-Century Paris 3. Dance and Society in Quattrocento Italy 4. Dance in Sixteenth- and Early Seventeenth-Century France Part 3. Dance and the Public Theater 5. Pierre Beauchamps and the Public Theater 6. Dance in the London Theaters c. 1700-1750 Part 4. Choreographic Structure and Music 7. The Relationship between Dance and Music in Fifteenth-Century Italian Dance Practice 8. The Basse Dance c. 1445-c. 1545 9. Choreographic Structure in Baroque Dance Part 5. Dance and the State 10. Your Most Humble Subject, Cesare Negri Milanese 11. The Politics of Ballet at the Court of Louis XIV 12. Mr. Isaac's The Pastorall and Issues of "Party" Part 6. Dance, Society, and the Cosmos 13. Plato's Philosophy of Dance 14. Moral Views on Dance 15. Order, Proportion, and Geometric Forms: The Cosmic Structure of Dance, Grand Gardens, and Architecture during the Renaissance List of Dance Treatises, Manuscripts, Modern Editions, and Translations Glossary Bibliography List of Contributors Index
Part 1. Introduction and Overview 1. Dance in Europe 1250-1750 Part 2. Dance at Court and in the City 2. Dance in Late Thirteenth-Century Paris 3. Dance and Society in Quattrocento Italy 4. Dance in Sixteenth- and Early Seventeenth-Century France Part 3. Dance and the Public Theater 5. Pierre Beauchamps and the Public Theater 6. Dance in the London Theaters c. 1700-1750 Part 4. Choreographic Structure and Music 7. The Relationship between Dance and Music in Fifteenth-Century Italian Dance Practice 8. The Basse Dance c. 1445-c. 1545 9. Choreographic Structure in Baroque Dance Part 5. Dance and the State 10. Your Most Humble Subject, Cesare Negri Milanese 11. The Politics of Ballet at the Court of Louis XIV 12. Mr. Isaac's The Pastorall and Issues of "Party" Part 6. Dance, Society, and the Cosmos 13. Plato's Philosophy of Dance 14. Moral Views on Dance 15. Order, Proportion, and Geometric Forms: The Cosmic Structure of Dance, Grand Gardens, and Architecture during the Renaissance List of Dance Treatises, Manuscripts, Modern Editions, and Translations Glossary Bibliography List of Contributors Index
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