This ethnography examines how contemporary dancers of Bharata Natyam, a traditionally Hindu storytelling dance form, embody Buddhist, Muslim, Christian and Jain narratives. These dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations are able to co-exist.
This ethnography examines how contemporary dancers of Bharata Natyam, a traditionally Hindu storytelling dance form, embody Buddhist, Muslim, Christian and Jain narratives. These dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations are able to co-exist.
Katherine C. Zubko is Professor of Religious Studies and NEH Distinguished Professor of the Humanities (2018-23) at University of North Carolina Asheville. Her areas of expertise include aesthetics, ritual, performance and embodied religion in South Asia. Zubko is the author of Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam (2014), and co-editor with George Pati of Transformational Embodiment in Asian Religions (Routledge 2019). Current research interests include exploring the role of embodied gestures of compassion and hospitality in performances on conflict transformation, and inclusive, interdisciplinary curriculum design as part of the scholarship of teaching and learning.
Inhaltsangabe
Part I: Religious Bodies Chapter 1: Rasa: A Taste of the Divine Chapter 2: Balasaraswati and Krishna Ni Begane Baro Chapter 3: Francis Barboza and Christian Themes Conclusion: Bhakti Rasa: A Re-Personalized Aesthetic of Devotion Part II: Cultural Bodies Chapter 4: Rasa and Bhakti as Indian Categories Chapter 5: Dhananjayans' Sanghamitr Chapter 6: Kalai Kaviri's G yatr Mantra Conclusion: Is there an Indian way of dancing devotion? Part III: Ethical Bodies Chapter 7: N ya as Visual Education and the Ethics of Rasa Chapter 8: Dhananjayans' Stree (Woman) Chapter 9: Monica Cooley's Subh sitam: Morality Tales of India and Bhagavad G t abdam Conclusion: An Ethics of Bhakti Rasa: Performance of a Moral Mood Part IV: Pluralistic Bodies Chapter 10: Unity and Multiplicity of Rasa Chapter 11: Malini Srinivasan and Sufi Qaww li Chapter 12: Tehreema Mitha and Ratt Jaga (The Vigil) Conclusion: Revisiting "Unity in Diversity" Conclusion Glossary Illustrated Glossary of Gestures
Part I: Religious Bodies Chapter 1: Rasa: A Taste of the Divine Chapter 2: Balasaraswati and Krishna Ni Begane Baro Chapter 3: Francis Barboza and Christian Themes Conclusion: Bhakti Rasa: A Re-Personalized Aesthetic of Devotion Part II: Cultural Bodies Chapter 4: Rasa and Bhakti as Indian Categories Chapter 5: Dhananjayans' Sanghamitr Chapter 6: Kalai Kaviri's G yatr Mantra Conclusion: Is there an Indian way of dancing devotion? Part III: Ethical Bodies Chapter 7: N ya as Visual Education and the Ethics of Rasa Chapter 8: Dhananjayans' Stree (Woman) Chapter 9: Monica Cooley's Subh sitam: Morality Tales of India and Bhagavad G t abdam Conclusion: An Ethics of Bhakti Rasa: Performance of a Moral Mood Part IV: Pluralistic Bodies Chapter 10: Unity and Multiplicity of Rasa Chapter 11: Malini Srinivasan and Sufi Qaww li Chapter 12: Tehreema Mitha and Ratt Jaga (The Vigil) Conclusion: Revisiting "Unity in Diversity" Conclusion Glossary Illustrated Glossary of Gestures
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