Malnig examines exhibition ballroom dance as both a theatrical genre and a cultural and social phenomenon, promoting new cultural standards, including the emancipation of women and a new casualness and spontaneity between the sexes. A lively and thorough account of a dance form that has found renewed popularity in recent years.
Malnig examines exhibition ballroom dance as both a theatrical genre and a cultural and social phenomenon, promoting new cultural standards, including the emancipation of women and a new casualness and spontaneity between the sexes. A lively and thorough account of a dance form that has found renewed popularity in recent years.
Julie Malnig is Assistant Professor in the Gallatin Division of New York University where she teaches courses in Performance History, American Culture, and Gender Studies.
Inhaltsangabe
Preface The Origins and Rise of Exhibition Ballroom Dance Dancing Deities: Career Paths of the Early Innovators Cabaret Dancing Taking the Palace by Storm: Exhibition Ballroom Dance in Vaudeville of the Teens and Twenties Exhibition Ballroom Dance in Early Musical Theatre Decline and Rebirth The Contemporary Renaissance Appendix A: Social Dances, 1908-1919 Appendix B: Exhibition Ballroom Dance Technique, 1908-1919 Selected Bibliography Index
Preface The Origins and Rise of Exhibition Ballroom Dance Dancing Deities: Career Paths of the Early Innovators Cabaret Dancing Taking the Palace by Storm: Exhibition Ballroom Dance in Vaudeville of the Teens and Twenties Exhibition Ballroom Dance in Early Musical Theatre Decline and Rebirth The Contemporary Renaissance Appendix A: Social Dances, 1908-1919 Appendix B: Exhibition Ballroom Dance Technique, 1908-1919 Selected Bibliography Index
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