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Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics.

Produktbeschreibung
Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics.
Autorenporträt
Elizabeth B. Schwall is assistant professor of history at Northern Arizona University.