This collection of essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late eighteenth century through to the early twentieth and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.
This collection of essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late eighteenth century through to the early twentieth and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.
Aida Audeh is Associate Professor of Art History and Chair of the Department of Studio Arts & Art History at Hamline University, Minnesota. She has published widely on French artists' interest in Dante in the eighteenth and nineteenth centuries, with articles appearing in such publications as Annali d'Italianistica, Dante Studies, Studies in Medievalism, and the Journal of the Iris and B. Gerald Cantor Center for the Visual Arts at Stanford University. She is a contributing author to Dante in the Nineteenth Century: Reception, Portrayal, Popularization (Bern: Peter Lang) and to Dante in France (Florence: Le Lettere. Nick Havely is Professor of English & Related Literature at the University of York, UK. His main research interests are in late medieval literature and in Anglo-Italian literary relations. His earlier books included Chaucer's Boccaccio: Sources for Troilus and the Knight's and Franklin's Tales (an anthology of translations, 1980, 2nd edition 1992); and editions of The House of Fame (1994) and Chaucer's Dream Poetry (1997). His work on Dante and his reception includes a number of recent books: Dante's Modern Afterlife: Reception and Response from Blake to Heaney (1998); Dante and the Franciscans: Poverty and the Papacy in the 'Commedia' (2004, reissued in paperback by Cambridge University Press in 2008); the Dante volume in the Blackwell Guides to Literature series (2007). He is also currently working on a study of Dante in the English-Speaking World, from the Fourteenth Century to the Present which is contracted with Oxford University Press.
Inhaltsangabe
* List of Plates * Acknowledgments * Notes on the Contributors * Introduction * 1. Risorgimento: Italian Nationality and Identity * 'Founders of Italian Literature': Dante, Petrarch. and National Identity in Ugo Foscolo * Politics vs. Literature - The Myth of Dante and the Italian National Identity * Dante and the Creation of the poeta vate in Nineteenth-Century Italy * Reading Dante in Nineteenth-Century Italy * 'The Holy Stone where Dante Sat': Memory and Oblivion * Politics and Performance: Gustavo Modena's dantate * 2. National Interests and Appropriations * Dufau's La Mort d'Ugolin: Dante, Nationalism, and French Art, c.1800 * Dante and Fabre D'Olivet: the Pilgrim Romeo and the Construction of an Occitan Chant Royal * Dante and British Romantic Women Writers: Writing the Nation, Defining National Culture * Dante's Beatrice and Victorian Gender Ideology * 3. Emerging Powers * Dante's Long Road to the German Library: Literary Reception from Early Romanticism to the Late Nineteenth Century * Charles Eliot Norton and the Rationale for American Dante Studies * Emerson, Dante, and American Nationalism * Dante Abolitionist and Nationalist in the Nineteenth Century: The Case of Cordelia Ray * 4. Recovering/ Re-defining Identities * Lord Charlemont's Dante and Irish Culture: A Whig interpretation of Dante at the Turn of the Nineteenth Century * Dante and the Bengali Renaissance * The Reception of Dante in Turkey through the Long Nineteenth Century * Epilogue: Dante and Early Italian Cinema * The 1911 Milano-Films Inferno and Italian Nationalism * Appendix * Dante and Nineteenth-Century Music (listing and selective bibliography) * Index
* List of Plates * Acknowledgments * Notes on the Contributors * Introduction * 1. Risorgimento: Italian Nationality and Identity * 'Founders of Italian Literature': Dante, Petrarch. and National Identity in Ugo Foscolo * Politics vs. Literature - The Myth of Dante and the Italian National Identity * Dante and the Creation of the poeta vate in Nineteenth-Century Italy * Reading Dante in Nineteenth-Century Italy * 'The Holy Stone where Dante Sat': Memory and Oblivion * Politics and Performance: Gustavo Modena's dantate * 2. National Interests and Appropriations * Dufau's La Mort d'Ugolin: Dante, Nationalism, and French Art, c.1800 * Dante and Fabre D'Olivet: the Pilgrim Romeo and the Construction of an Occitan Chant Royal * Dante and British Romantic Women Writers: Writing the Nation, Defining National Culture * Dante's Beatrice and Victorian Gender Ideology * 3. Emerging Powers * Dante's Long Road to the German Library: Literary Reception from Early Romanticism to the Late Nineteenth Century * Charles Eliot Norton and the Rationale for American Dante Studies * Emerson, Dante, and American Nationalism * Dante Abolitionist and Nationalist in the Nineteenth Century: The Case of Cordelia Ray * 4. Recovering/ Re-defining Identities * Lord Charlemont's Dante and Irish Culture: A Whig interpretation of Dante at the Turn of the Nineteenth Century * Dante and the Bengali Renaissance * The Reception of Dante in Turkey through the Long Nineteenth Century * Epilogue: Dante and Early Italian Cinema * The 1911 Milano-Films Inferno and Italian Nationalism * Appendix * Dante and Nineteenth-Century Music (listing and selective bibliography) * Index
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