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In his introduction to THE INFERNO, the translator says: "I suppose that a very great majority of English-speaking people, if they were asked to name the greatest epic poet of the Christian era in Western Europe, would answer Dante." THE DIVINE COMEDY continues to be widely read today, whether for its religious inspiration or for the sheer power of its verse. In the third part of the epic, THE PARADISO, Dante goes forth from the Mount of Purgatory into the great expanse of stars above the Earth. His guide this time is the beautiful Beatrice, to whom he was introduced by the ancient Roman poet,…mehr

Produktbeschreibung
In his introduction to THE INFERNO, the translator says: "I suppose that a very great majority of English-speaking people, if they were asked to name the greatest epic poet of the Christian era in Western Europe, would answer Dante." THE DIVINE COMEDY continues to be widely read today, whether for its religious inspiration or for the sheer power of its verse. In the third part of the epic, THE PARADISO, Dante goes forth from the Mount of Purgatory into the great expanse of stars above the Earth. His guide this time is the beautiful Beatrice, to whom he was introduced by the ancient Roman poet, Virgil, near the end of THE PURGATORIO. She leads him up through each of the seven spheres of Heaven, ending in the Seventh Heaven, which is infinite in scope. Once again Dante encounters figures from history and from his own life, as he did in Hell and Purgatory. This is the first publication in book form of Part Three of S. Fowler Wright's first-rate English-language rendition of a classic of western literature.
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Autorenporträt
Durante di Alighiero degli Alighieri, commonly known by his pen name Dante Alighieri or simply as Dante, was an Italian poet. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. In the Late Middle Ages, most poetry was written in Latin, making it accessible only to the most educated readers. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended the use of the vernacular in literature. He would even write in the Tuscan dialect for works such as The New Life (1295) and the Divine Comedy; this highly unorthodox choice set a precedent that important later Italian writers such as Petrarch and Boccaccio would follow. Dante was instrumental in establishing the literature of Italy, and his depictions of Hell, Purgatory and Heaven provided inspiration for the larger body of Western art. He is cited as an influence on John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him. He is described as the "father" of the Italian language, and in Italy, he is often referred to as il Sommo Poeta ("the Supreme Poet"). Dante, Petrarch, and Boccaccio are also called the tre corone ("three crowns") of Italian literature.