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Published on the occasion of the twenty-five year anniversary at David Zwirner, this book paints a picture of the gallery¿s growth and development through the lens of the artists that have shaped it. Above all else, David Zwirner has been guided by its artist-centric ethos. In ambitious gallery shows at every location, the gallery¿s emphasis has been on artists and facilitating their vision. With archival imagery form the very early days of the gallery on Greene Street in SoHo, to its transition and expansion to Chelsea, London, and the Upper East Side, the catalogue captures the gallery¿s…mehr

Produktbeschreibung
Published on the occasion of the twenty-five year anniversary at David Zwirner, this book paints a picture of the gallery¿s growth and development through the lens of the artists that have shaped it. Above all else, David Zwirner has been guided by its artist-centric ethos. In ambitious gallery shows at every location, the gallery¿s emphasis has been on artists and facilitating their vision. With archival imagery form the very early days of the gallery on Greene Street in SoHo, to its transition and expansion to Chelsea, London, and the Upper East Side, the catalogue captures the gallery¿s devotion to its inimitable roster of artists and estates. Featuring exhibitions and artworks by every artist and estate represented by the gallery, the selection in these pages highlights the countless works that ended up in major museum collections around the world. These works are complemented by a selection of installation views of numerous stand- out shows, in many cases handpicked by David Zwirner himself. With contributions by celebrated art historian Richard Shiff, world-renowned curator and academic Robert Storr, as well as David Zwirner himself, this publication offers rare insights into the growth of a commercial gallery through its long-term commitment to artists.
Autorenporträt
Richard Shiff is the Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism. His scholarly interests range broadly across the field of modern and contemporary art and theory, with publications that include Critical Terms for Art History (co-edited, 1996; second edition, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954-1962 (2014). Robert Storr is an American artist, critic, and curator. He was appointed professor of painting/printmaking and dean of the Yale School of Art in 2006 and served as the Stavros Niarchos Foundation Dean from 2014 to 2016. The exhibition he organized at David Zwirner in 2013 to celebrate the centenary of Ad Reinhardt was voted "Best Show in a Commercial Space in New York" by the US Art Critics Association.