Sampada Aranke analyzes posters, photographs, journalism, and films that focus on the murders of three Black Panther Party members to examine the importance of representations of death to Black liberation.
Sampada Aranke analyzes posters, photographs, journalism, and films that focus on the murders of three Black Panther Party members to examine the importance of representations of death to Black liberation.
Sampada Aranke is Assistant Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.
Inhaltsangabe
Acknowledgments vii Introduction. The Visual Life of Black Power 1 1. “1,000 Bobby Huttons” 21 2. Fred Hampton and the Political Life of Objects 53 3. George Jackson’s Murder and Fugitive Imaginaries 90 Epilogue. The United States of Attica 135 Notes 147 Bibliography 171 Index 181
Acknowledgments vii Introduction. The Visual Life of Black Power 1 1. “1,000 Bobby Huttons” 21 2. Fred Hampton and the Political Life of Objects 53 3. George Jackson’s Murder and Fugitive Imaginaries 90 Epilogue. The United States of Attica 135 Notes 147 Bibliography 171 Index 181
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