Decolonising Approaches to Users and Audiences in the Global South
Context, Theory and Method
Herausgeber: Medrado, Andrea; Mano, Winston; Sabry, Tarik
Decolonising Approaches to Users and Audiences in the Global South
Context, Theory and Method
Herausgeber: Medrado, Andrea; Mano, Winston; Sabry, Tarik
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This edited collection offers an unprecedented focus on decolonizing audience and user studies in the Global South, challenging essentialist discourses of media imperialism and technological determinism. This essential resource serves as a practical guide for decolonial approaches in media and communication studies.
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This edited collection offers an unprecedented focus on decolonizing audience and user studies in the Global South, challenging essentialist discourses of media imperialism and technological determinism. This essential resource serves as a practical guide for decolonial approaches in media and communication studies.
Produktdetails
- Produktdetails
- Internationalizing Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 334
- Erscheinungstermin: 16. Dezember 2025
- Englisch
- Abmessung: 233mm x 156mm x 25mm
- Gewicht: 536g
- ISBN-13: 9781032590363
- ISBN-10: 103259036X
- Artikelnr.: 74776032
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Internationalizing Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 334
- Erscheinungstermin: 16. Dezember 2025
- Englisch
- Abmessung: 233mm x 156mm x 25mm
- Gewicht: 536g
- ISBN-13: 9781032590363
- ISBN-10: 103259036X
- Artikelnr.: 74776032
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Tarik Sabry is Full Professor of Media and Cultural Studies at the University of Westminster where he is a member of the Communication and Media Research Institute. He is co-founder and co-editor of the Middle East Journal of Culture and Communication. He is an author of Cultural Encounters in the Arab World: On Media, the Modern and the Everyday (2010) and a co-author of Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective (2019). Sabry has also edited three books in the area of Arab Cultural Studies. Winston Mano is Full Professor and a member of the University of Westminster's top-rated Communication and Media Research Institute (CAMRI). He is Course Director for the MA in Media and Development and Founder/Editor-in-Chief of the Journal of African Media Studies. He is Director of the Africa Media Centre and was Co-Director of the Chevening Africa Media Freedom Fellowship programme (2020-2023). Andrea Medrado is a Senior Lecturer in Global Communications and Co-Director of Research for the Department of Communications, Drama and Film of the University of Exeter in the United Kingdom. Her book Media Activism, Artivism and the Fight Against Marginalisation in the Global South, co-authored with Isabella Rega, was published by Routledge in 2023. She has also published widely in academic journals, such as Big Data & Society, Information Communication & Society, and Tapuya: Latin American Science Technology & Society.
1. Decolonising Approaches to Users and Audiences in the Global South: An Introduction 2. Post
Colonial Media Studies in a Fractured World: A Dialogue with David Morley Part I:Decolonising Audiences in Africa 3. Redefining Digital Audience Research: Perspectives and Practices from the Global South 4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and Occupying Online Spaces 5. A Decolonial Approach to a Nollywood Audience: Engaging with Cultural Self
Awareness Part II:Decolonising Audiences in Asia 6. Localising Online TV: Japanese Broadcast Videöon
Demand Services and the Shaping of Online Viewing Practices 7. Decolonising Audience Research: Gender and Caste Politics in Indian Literature 8. An Oasis Medium in the 1980s: The Popularisation of Television in China and Its Social Implications 9. The Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and Practices of Self
Care Part III:Decolonising Audiences in Latin America 10. Indigenous Communication in Mexico: Decolonizing through Self
Representation 11. Ombudsman's Office for Audiences in Latin America: An Analysis from a Decolonial Approach 12. Toward a Decolonization of Arab Audiences 13. Im(Possibilities) of Palestinian 'Media Audiences' in Times of Permanent War and Excessive Mediation 14. Aesthetic Experience and Performing Arts in the Arab Region: Towards a Decolonial Audience-Centred Perspective 15. Searching for the "Good Old Days" in "New Turkiye": Nostalgia of the TRT Era
Colonial Media Studies in a Fractured World: A Dialogue with David Morley Part I:Decolonising Audiences in Africa 3. Redefining Digital Audience Research: Perspectives and Practices from the Global South 4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and Occupying Online Spaces 5. A Decolonial Approach to a Nollywood Audience: Engaging with Cultural Self
Awareness Part II:Decolonising Audiences in Asia 6. Localising Online TV: Japanese Broadcast Videöon
Demand Services and the Shaping of Online Viewing Practices 7. Decolonising Audience Research: Gender and Caste Politics in Indian Literature 8. An Oasis Medium in the 1980s: The Popularisation of Television in China and Its Social Implications 9. The Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and Practices of Self
Care Part III:Decolonising Audiences in Latin America 10. Indigenous Communication in Mexico: Decolonizing through Self
Representation 11. Ombudsman's Office for Audiences in Latin America: An Analysis from a Decolonial Approach 12. Toward a Decolonization of Arab Audiences 13. Im(Possibilities) of Palestinian 'Media Audiences' in Times of Permanent War and Excessive Mediation 14. Aesthetic Experience and Performing Arts in the Arab Region: Towards a Decolonial Audience-Centred Perspective 15. Searching for the "Good Old Days" in "New Turkiye": Nostalgia of the TRT Era
1. Decolonising Approaches to Users and Audiences in the Global South: An Introduction 2. Post
Colonial Media Studies in a Fractured World: A Dialogue with David Morley Part I:Decolonising Audiences in Africa 3. Redefining Digital Audience Research: Perspectives and Practices from the Global South 4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and Occupying Online Spaces 5. A Decolonial Approach to a Nollywood Audience: Engaging with Cultural Self
Awareness Part II:Decolonising Audiences in Asia 6. Localising Online TV: Japanese Broadcast Videöon
Demand Services and the Shaping of Online Viewing Practices 7. Decolonising Audience Research: Gender and Caste Politics in Indian Literature 8. An Oasis Medium in the 1980s: The Popularisation of Television in China and Its Social Implications 9. The Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and Practices of Self
Care Part III:Decolonising Audiences in Latin America 10. Indigenous Communication in Mexico: Decolonizing through Self
Representation 11. Ombudsman's Office for Audiences in Latin America: An Analysis from a Decolonial Approach 12. Toward a Decolonization of Arab Audiences 13. Im(Possibilities) of Palestinian 'Media Audiences' in Times of Permanent War and Excessive Mediation 14. Aesthetic Experience and Performing Arts in the Arab Region: Towards a Decolonial Audience-Centred Perspective 15. Searching for the "Good Old Days" in "New Turkiye": Nostalgia of the TRT Era
Colonial Media Studies in a Fractured World: A Dialogue with David Morley Part I:Decolonising Audiences in Africa 3. Redefining Digital Audience Research: Perspectives and Practices from the Global South 4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and Occupying Online Spaces 5. A Decolonial Approach to a Nollywood Audience: Engaging with Cultural Self
Awareness Part II:Decolonising Audiences in Asia 6. Localising Online TV: Japanese Broadcast Videöon
Demand Services and the Shaping of Online Viewing Practices 7. Decolonising Audience Research: Gender and Caste Politics in Indian Literature 8. An Oasis Medium in the 1980s: The Popularisation of Television in China and Its Social Implications 9. The Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and Practices of Self
Care Part III:Decolonising Audiences in Latin America 10. Indigenous Communication in Mexico: Decolonizing through Self
Representation 11. Ombudsman's Office for Audiences in Latin America: An Analysis from a Decolonial Approach 12. Toward a Decolonization of Arab Audiences 13. Im(Possibilities) of Palestinian 'Media Audiences' in Times of Permanent War and Excessive Mediation 14. Aesthetic Experience and Performing Arts in the Arab Region: Towards a Decolonial Audience-Centred Perspective 15. Searching for the "Good Old Days" in "New Turkiye": Nostalgia of the TRT Era







