Deconstructing South Park: Critical Examinations of Animated Transgression is the first book to systematically analyze the cultural phenomenon of South Park from a wide scope of theoretical approaches. Brian Cogan and the other contributors address the show from perspectives as diverse as media studies, disability studies, and literary theory to ideological analysis, deviancy studies and media studies. Deconstructing South Park represents an essential contribution to television/media studies for both academics and popular audiences alike.
Deconstructing South Park: Critical Examinations of Animated Transgression is the first book to systematically analyze the cultural phenomenon of South Park from a wide scope of theoretical approaches. Brian Cogan and the other contributors address the show from perspectives as diverse as media studies, disability studies, and literary theory to ideological analysis, deviancy studies and media studies. Deconstructing South Park represents an essential contribution to television/media studies for both academics and popular audiences alike.
Brian Cogan (Brooklyn, NY) is an associate professor in the Department of Communications at Molloy College in Long Island, New York. He is the author, co-author, and co-editor of numerous books, articles, and anthologies on popular culture, music, and the media. He is the co-author of Everything I Ever Needed to Know About _____________* I Learned from Monty Python. He is not one to be trifled with.
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Acknowledgments Introduction - Deconstructing South Park? South Park is Deconstruction! Plus, as a Bonus, Why This Book is a Bad Idea. Or as Cartman Might Ask, Aimez-vous sucer mes couilles, Monsieur Derrida? by Brian Cogan Part I - Satirycon in Colorado Chapter One - From Whence Came Cartman: South Park's Satiric Lineage by Jonathan Gray Chapter Two - The Brown Noise: A Roundtable Discussion on Satire and South Park, led by Eric Cartman. With Introductory Remarks by Professor SH Chaos, Pandemonium University (suburban campus), Toxic Shock, California by Stephanie Hammer Part II - South Park and/is/on the "Other" Chapter Three - "You Mean, I'm Not Special?" Timmy, Jimmy, and the "Double-Move" of Disability Comedy in South Park By Michael M. Chemers and Hioni Karamanos Chapter Four - "But I'm not in the closet!" Or, "Oh My God It's George Clooney as the Voice of the Dog!" South Park, Celebrity, and Thank God Libel Laws are Not as Tough as They are in England! by Brian Cogan Part III - God, the Devil, and Cartman Chapter Five - Parody and Transgression: Religious Discourse in South Park by Martha Mary Daas Chapter Six - The Devil Went Up to Colorado: "Satan Comedy" in South Park by Lori Snaith Chapter Seven: The South Park Apocalyptic: Smaller, Shorter, & All Cut Up by James Hewitson Part IV - Meta-Discourse and Literary History Chapter Eight: "The most foul of the foul words": South Park and Meta-Discourse by John-Paul Stephenson Chapter Nine: "I made you eat your parents!": South Park and Literary History by Louise Noble Part V - Matt and Trey Talk a Lot of Shit, Literally Chapter Ten - Respecting 'Authoritah': Trey Parker, Matt Stone, and Authorship in South Park and Beyond by Nick Marx Chapter Eleven - The Feminine Mistook: Carnival Feminist Humor and South Park by MJ Robinson Part VI - And Now for Something Completely Diffrient Chapter Twelve - Tweaking Art, the Art of Tweek: Aesthetic Desecration and the Politics of Possession in South Park by David Scott Diffrient Bibliography About the Contributors
Acknowledgments Introduction - Deconstructing South Park? South Park is Deconstruction! Plus, as a Bonus, Why This Book is a Bad Idea. Or as Cartman Might Ask, Aimez-vous sucer mes couilles, Monsieur Derrida? by Brian Cogan Part I - Satirycon in Colorado Chapter One - From Whence Came Cartman: South Park's Satiric Lineage by Jonathan Gray Chapter Two - The Brown Noise: A Roundtable Discussion on Satire and South Park, led by Eric Cartman. With Introductory Remarks by Professor SH Chaos, Pandemonium University (suburban campus), Toxic Shock, California by Stephanie Hammer Part II - South Park and/is/on the "Other" Chapter Three - "You Mean, I'm Not Special?" Timmy, Jimmy, and the "Double-Move" of Disability Comedy in South Park By Michael M. Chemers and Hioni Karamanos Chapter Four - "But I'm not in the closet!" Or, "Oh My God It's George Clooney as the Voice of the Dog!" South Park, Celebrity, and Thank God Libel Laws are Not as Tough as They are in England! by Brian Cogan Part III - God, the Devil, and Cartman Chapter Five - Parody and Transgression: Religious Discourse in South Park by Martha Mary Daas Chapter Six - The Devil Went Up to Colorado: "Satan Comedy" in South Park by Lori Snaith Chapter Seven: The South Park Apocalyptic: Smaller, Shorter, & All Cut Up by James Hewitson Part IV - Meta-Discourse and Literary History Chapter Eight: "The most foul of the foul words": South Park and Meta-Discourse by John-Paul Stephenson Chapter Nine: "I made you eat your parents!": South Park and Literary History by Louise Noble Part V - Matt and Trey Talk a Lot of Shit, Literally Chapter Ten - Respecting 'Authoritah': Trey Parker, Matt Stone, and Authorship in South Park and Beyond by Nick Marx Chapter Eleven - The Feminine Mistook: Carnival Feminist Humor and South Park by MJ Robinson Part VI - And Now for Something Completely Diffrient Chapter Twelve - Tweaking Art, the Art of Tweek: Aesthetic Desecration and the Politics of Possession in South Park by David Scott Diffrient Bibliography About the Contributors
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