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Shows how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. This book focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European.

Produktbeschreibung
Shows how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. This book focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European.
Autorenporträt
Richard Taruskin (1945-2022) was professor emeritus of music at the University of California, Berkeley, and a regular contributor to the New Republic, the New York Times, the New York Review of Books, and Opera News . His books include Musorgsky: Eight Essays and an Epilogue (Princeton), Opera and Drama in Russia, and Stravinsky and the Russian Traditions.