In 1971, Deleuze and Guattari's collaborative work, Anti-Oedipus: Capitalism and Schizophrenia caused an international sensation by fusing Marx with a radically rewritten Freud to produce a new approach to critical thinking, which they provocatively called "schizoanalysis." Deleuze and the Schizoanalysis of Cinema explores the possibilities of using this concept to investigate cinematic works in both the Hollywood and non-Hollywood tradition. It attempts to define what a schizoanalysis of cinema might be and introduces a variety of ways in which a schizoanalysis might be applied. This…mehr
In 1971, Deleuze and Guattari's collaborative work, Anti-Oedipus: Capitalism and Schizophrenia caused an international sensation by fusing Marx with a radically rewritten Freud to produce a new approach to critical thinking, which they provocatively called "schizoanalysis." Deleuze and the Schizoanalysis of Cinema explores the possibilities of using this concept to investigate cinematic works in both the Hollywood and non-Hollywood tradition. It attempts to define what a schizoanalysis of cinema might be and introduces a variety of ways in which a schizoanalysis might be applied. This collection opens up a fresh field of inquiry for Deleuze scholars and poses an exciting challenge to cinema studies in general. Featuring some of the most important cinema studies scholars working on Deleuze and Guattari today, Deleuze and the Schizoanalysis of Cinema is a cutting edge collection that will set the agenda for future work in this area. Contributors include: Gregory Flaxman, Amy Herzog, Joe Hughes, Gregg Lambert, Patricia MacCormack, Bill Marshall, David Martin-Jones, Elena Oxman, Patricia Pisters, Anna Powell and Mark Riley.
Ian Buchanan is Professor of Critical and Cultural Theory at Cardiff University, UK. He is the author of "Deleuzism" (Edinburgh UP, 2000) and the editor of "Deleuze Studies." Patricia MacCormack is Senior Lecturer in Communication and Film at Anglia Ruskin University, UK. She is the author of "Cinesexuality" (Ashgate, 2008).
Inhaltsangabe
Introduction: Five Theses of Actually Existing Schizoanalysis of Cinema Ian Buchanan (Cardiff University UK) 1. Schizoanalysis and the Phenomenology of Cinema Joe Hughes (University of Edinburgh UK) 2. Schizoanalysis and the Cinema of the Brain Gregg Lambert (Syracuse University USA) 3. Losing Face Gregory Flaxman (University of North Carolina USA) and Elena Oxman (University of North Carolina USA) 4. Disorientation Duration and Tarkovsky Mark Riley (Roehampton University UK) 5. Suspended Gestures: Schizoanalysis Affect and the Face in Cinema Amy Herzog (CUNY USA) 6. Schizoanalysis Spectacle and the Spaghetti Western David Martin-Jones (University of St Andrews UK) 7. Cinemas of Minor Frenchness Bill Marshall (University of Glasgow UK) 8. Delirium Cinema or Machines of the Invisible? Patricia Pisters (University of Amsterdam The Netherlands) 9. Off Your Face: Schizoanalysis Faciality and Cinema Anna Powell (Manchester Metropolitan University UK) 10. An Ethics of Spectatorship: Love Death and Cinema Patricia MacCormack (Anglia Ruskin University UK)
Introduction: Five Theses of Actually Existing Schizoanalysis of Cinema Ian Buchanan (Cardiff University UK) 1. Schizoanalysis and the Phenomenology of Cinema Joe Hughes (University of Edinburgh UK) 2. Schizoanalysis and the Cinema of the Brain Gregg Lambert (Syracuse University USA) 3. Losing Face Gregory Flaxman (University of North Carolina USA) and Elena Oxman (University of North Carolina USA) 4. Disorientation Duration and Tarkovsky Mark Riley (Roehampton University UK) 5. Suspended Gestures: Schizoanalysis Affect and the Face in Cinema Amy Herzog (CUNY USA) 6. Schizoanalysis Spectacle and the Spaghetti Western David Martin-Jones (University of St Andrews UK) 7. Cinemas of Minor Frenchness Bill Marshall (University of Glasgow UK) 8. Delirium Cinema or Machines of the Invisible? Patricia Pisters (University of Amsterdam The Netherlands) 9. Off Your Face: Schizoanalysis Faciality and Cinema Anna Powell (Manchester Metropolitan University UK) 10. An Ethics of Spectatorship: Love Death and Cinema Patricia MacCormack (Anglia Ruskin University UK)
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