Die Farbigkeit der antiken Skulptur - Henke, Felix
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As a contribution to the archaeological research on polychromy, this study analyses the written sources on the colouration of ancient sculpture. It addresses all types of materials, from clay to chryselephantine works. The texts refer not only to techniques of representation and conservation procedures, but in particular to the artists' intentions behind colouration and the meaning attributed to it by the ancient viewer.

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Produktbeschreibung
As a contribution to the archaeological research on polychromy, this study analyses the written sources on the colouration of ancient sculpture. It addresses all types of materials, from clay to chryselephantine works. The texts refer not only to techniques of representation and conservation procedures, but in particular to the artists' intentions behind colouration and the meaning attributed to it by the ancient viewer.
Autorenporträt
Felix Henke, born in 1983, studied Greek and Latin Philology, Classical Archaeology and Archaeology of the Roman Provinces at the LMU in Munich, where he completed his PhD in 2015 in Greek Philology with this study. Afterwards, he was an assistant professor in Greek Philology at the LMU and a researcher at the FU Berlin for the new edition of the works of Winckelmann. He is currently working on a project on the perception of and living with deurbanised spaces in the early Roman Empire, funded by the Gerda Henkel Stiftung.