Digital Encounters reconceptualizes the way we think about technology and the moving image, exploring a network of images and technological objects such as animations, digital effects films, computer games and mixed media gallery installations.
Digital Encounters reconceptualizes the way we think about technology and the moving image, exploring a network of images and technological objects such as animations, digital effects films, computer games and mixed media gallery installations.
Aylish Wood is Professor of Animation and Film Studies in the School of Arts at the University of Kent, UK. She has published in a range of journals (including Screen, Animation: An Interdisciplinary Journal, Journal of Film and Video, Convergence, Games and Culture) and the author of Software, Animation and the Moving Image (2014), Digital Encounters(2007) and Technoscience in Contemporary American Films (2002).
Inhaltsangabe
Re-Animating the Interface. Digital Effects and Expanded Narrative Space. Encountering the Interface. Game Zones. Gallery Space/Temporal Zoning. Finding Ourselves at the Interface. Notes. Films Cited. Games Cited. Bibliography.
Re-Animating the Interface. Digital Effects and Expanded Narrative Space. Encountering the Interface. Game Zones. Gallery Space/Temporal Zoning. Finding Ourselves at the Interface. Notes. Films Cited. Games Cited. Bibliography.
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