This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge.
This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge.
Mary Caton Lingold is Assistant Professor of English at Virginia Commonwealth University. Darren Mueller is Assistant Professor of Musicology at the Eastman School of Music, University of Rochester. Whitney Trettien is Assistant Professor of English at the University of Pennsylvania.
Inhaltsangabe
Preface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien 1 I. Theories and Genealogies 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath 29 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley 47 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone 64 II. Digital Communities 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva 83 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley 120 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu 130 III. Disciplinary Translations 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement 155 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer 178 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford 215 IV. Points Forward 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden 231 11. Sound Practices for Digital Humanities / Steph Ceraso 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien 267 Contributors 285 Index 291
Preface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien 1 I. Theories and Genealogies 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath 29 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley 47 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone 64 II. Digital Communities 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva 83 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley 120 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu 130 III. Disciplinary Translations 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement 155 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer 178 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford 215 IV. Points Forward 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden 231 11. Sound Practices for Digital Humanities / Steph Ceraso 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien 267 Contributors 285 Index 291
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