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A collection of original, stimulating interpretations of key texts by Don DeLillo, designed for students and edited and written by leading scholars in the field. The book offers new perspectives on two of the most important pre-millennial novels by any American writer Mao II and Underworld and the first extended discussions of Falling Man, DeLillo's exploration of 9/11 and its aftermath.
An American Studies approach to the texts brings together both established DeLillo scholars and other academics whose interdisciplinary methodologies drawn from history, ethnic studies, new economic
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Produktbeschreibung
A collection of original, stimulating interpretations of key texts by Don DeLillo, designed for students and edited and written by leading scholars in the field. The book offers new perspectives on two of the most important pre-millennial novels by any American writer Mao II and Underworld and the first extended discussions of Falling Man, DeLillo's exploration of 9/11 and its aftermath.

An American Studies approach to the texts brings together both established DeLillo scholars and other academics whose interdisciplinary methodologies drawn from history, ethnic studies, new economic criticism, women's studies, art history, and urban studies shed new light on DeLillo's work and demonstrate its wide-ranging significance in contemporary American culture.
Autorenporträt
Stacey Olster is Professor of English at the State University of New York at Stony Brook, USA. She is the author of Reminiscence and Re-Creation in Contemporary American Fiction (1989) and The Trash Phenomenon: Contemporary Literature, Popular Culture, and the Making of the American Century (2003), and the editor of The Cambridge Companion to John Updike (2006). Stacey Olster is Professor of English at the State University of New York at Stony Brook, USA.
Rezensionen
This is a beautifully coherent collection of essays on DeLillo's three most important recent novels. It is also much more than that. The volume reflects on, tells us much about, and revises views of, DeLillo's entire oeuvre, American literature and culture broadly, modernist and postmodernist theory, and the other arts (including photography, performance art, film). Anyone with any interest in contemporary culture should know this book. Led by the level-setting eloquent and erudite Olster, the contributors comprise the most exciting scholars in American literary and cultural studies today. Fittingly for a volume on DeLillo, reading it you will never forget that these are people who can write. J.D. Prosser, Reader in Humanities, School of English, University of Leeds, UK