This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the worldâ s greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.
This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the worldâ s greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.
Slav N. Gratchev is associate professor of Spanish at Marshall University. Howard Mancing is professor of Spanish at Purdue University.
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Acknowledgements Introduction by Howard Mancing and Slav N. Gratchev Part I: Re-accentuation: Theoretical Introduction Chapter I: On Re-accentuation, Adaptation, and Imitation of Don Quixote by Tatevik Gyulamiryan Part II: Imagery and Ideology Chapter 2: Don Quixote Re-depicted by Eduardo Urbina & Fernando González Moreno Chapter 3: Don Quixote in the Rise of Modern Novel: The Satirical Interpretation by Emilio Martínez Mata Chapter 4: Don Quixote and the Chivalric Ideal in Classics Illustrated Comics (1941-1971) by Ricardo Castells Chapter 5: A Horse of a Different Color: Salvador Dalí and the Re-imagining of Clavileño by S. Alleyn Smythe Chapter 5: Image not Found: Portraiture, Identity, and the future of Cervantismo by Stephen Hessel Part III: Literature Chapter 6: Borges and the Hermeneutics of the Novel by J. A. Garrido Ardila Chapter 7: World War and the Novel: Responding to Don Quixote in 1914 and 1934 by Rachel Schmidt Chapter 8: The Don Quixotes of Science Fiction by Howard Mancing Part IV: Film Chapter 9: The Art of re-accentuation: Don Quixote by Grigori Kozintsev by Slav N. Gratchev Chapter 10: Surviving the Hollywood Blacklist: Waldo Salt's adaptation of Don Quixote by William Childers Chapter 11: Crouching Squire, Hidden Madman: Ah Gan's Don Quixote and Postmodern China by Bruce Burningham Chapter 12: Amélie as Re-accentuation of Cervantesby Jonathan Wade Chapter 13: Extracting the Essence of Don Quixote for a Puppet film by Steven Ritz-Barr Part V: Theater and Television Chapter 14: The Spanish Knight Among the Soviet People: Dramatic Re-accentuations ofDon Quixote as a Doomed Performer by Margarita Marinova & Scott Pollard Chapter 15: A Russian Lancelot and His Don Quixote by Victor Fet Part VI: Don Quixote in The New World Chapter 16: The Visionary's Quixote by Roy H. Williams Bibliography Index About the Editors
Acknowledgements Introduction by Howard Mancing and Slav N. Gratchev Part I: Re-accentuation: Theoretical Introduction Chapter I: On Re-accentuation, Adaptation, and Imitation of Don Quixote by Tatevik Gyulamiryan Part II: Imagery and Ideology Chapter 2: Don Quixote Re-depicted by Eduardo Urbina & Fernando González Moreno Chapter 3: Don Quixote in the Rise of Modern Novel: The Satirical Interpretation by Emilio Martínez Mata Chapter 4: Don Quixote and the Chivalric Ideal in Classics Illustrated Comics (1941-1971) by Ricardo Castells Chapter 5: A Horse of a Different Color: Salvador Dalí and the Re-imagining of Clavileño by S. Alleyn Smythe Chapter 5: Image not Found: Portraiture, Identity, and the future of Cervantismo by Stephen Hessel Part III: Literature Chapter 6: Borges and the Hermeneutics of the Novel by J. A. Garrido Ardila Chapter 7: World War and the Novel: Responding to Don Quixote in 1914 and 1934 by Rachel Schmidt Chapter 8: The Don Quixotes of Science Fiction by Howard Mancing Part IV: Film Chapter 9: The Art of re-accentuation: Don Quixote by Grigori Kozintsev by Slav N. Gratchev Chapter 10: Surviving the Hollywood Blacklist: Waldo Salt's adaptation of Don Quixote by William Childers Chapter 11: Crouching Squire, Hidden Madman: Ah Gan's Don Quixote and Postmodern China by Bruce Burningham Chapter 12: Amélie as Re-accentuation of Cervantesby Jonathan Wade Chapter 13: Extracting the Essence of Don Quixote for a Puppet film by Steven Ritz-Barr Part V: Theater and Television Chapter 14: The Spanish Knight Among the Soviet People: Dramatic Re-accentuations ofDon Quixote as a Doomed Performer by Margarita Marinova & Scott Pollard Chapter 15: A Russian Lancelot and His Don Quixote by Victor Fet Part VI: Don Quixote in The New World Chapter 16: The Visionary's Quixote by Roy H. Williams Bibliography Index About the Editors
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