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Drama is a performance and the audience enjoy the spectacle of the artists and their action on stage. The enjoyment is achieved only when the playwright transforms his words into actions of the actors. The book gives an exhaustive comparison between Indian dramatic tradition and Aristotelian principles. The technique of any dramatist may be defined, roughly, as his ways, methods, and devices for achieving his desired end.This book¿s objective is to explore the different techniques employed by Girish Karnad in his plays. The chapters explain a technique put into practise by the multifaceted…mehr

Produktbeschreibung
Drama is a performance and the audience enjoy the spectacle of the artists and their action on stage. The enjoyment is achieved only when the playwright transforms his words into actions of the actors. The book gives an exhaustive comparison between Indian dramatic tradition and Aristotelian principles. The technique of any dramatist may be defined, roughly, as his ways, methods, and devices for achieving his desired end.This book¿s objective is to explore the different techniques employed by Girish Karnad in his plays. The chapters explain a technique put into practise by the multifaceted personality, Karnad. The techniques taken for study are myths, Myths, Legends, and Folk Tales, Bhagavata and Chorus, Masks, Costumes and Characterisation, Words and Movement, Symbolism, Imagery and Irony, Prologue, Play-within-play Epilogue.
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Autorenporträt
La autora, la Dra. T Asha Priya, tiene 15 años de experiencia docente. La autora ha publicado un capítulo en el libro Reconstructing Shakespeare. Ha presentado trabajos en varias conferencias. También ha publicado artículos en revistas. Es revisora del Journal of Arts and International Linguistics Research.