Esther Fernández, Adrienne L. MartínCervantes's Theatrical Revelations
Drawing the Curtain
Cervantes's Theatrical Revelations
Herausgeber: Fernández, Esther; Martín, Adrienne L
Esther Fernández, Adrienne L. MartínCervantes's Theatrical Revelations
Drawing the Curtain
Cervantes's Theatrical Revelations
Herausgeber: Fernández, Esther; Martín, Adrienne L
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Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.
Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.
Produktdetails
- Produktdetails
- Toronto Iberic
- Verlag: University of Toronto Press
- Seitenzahl: 392
- Erscheinungstermin: 9. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 764g
- ISBN-13: 9781487508777
- ISBN-10: 1487508778
- Artikelnr.: 63661075
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Toronto Iberic
- Verlag: University of Toronto Press
- Seitenzahl: 392
- Erscheinungstermin: 9. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 764g
- ISBN-13: 9781487508777
- ISBN-10: 1487508778
- Artikelnr.: 63661075
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Esther Fernández is an associate professor in the Department of Modern and Classical Literatures and Cultures at Rice University. Adrienne L. Martín is a professor emerita of early modern Spanish literature and culture and former Vice Provost-Global Affairs at the University of California, Davis.
Introduction: The Poetics of the Imagined Stage
Esther Fernández and Adrienne L. Martín
Part One: Alternate Theatricalities in Cervantes’s Drama
1. Cervantes and the Simple Stage
Bruce R. Burningham
2. Queer Cambalaches in El rufián dichoso
John Slater
3. Of Players and Wagers: The Theatricality of Gambling for Salvation in
El rufián dichoso
Sonia Velázquez
4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato
de Argel
Julia Domínguez
5. Captivating Music, Memory, and Emotions in Los baños de Argel
Sherry Velasco
6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana
Ana Laguna
7. Revolving Sets: Spatial Revelations in the Entremeses
Esther Fernández and Adrienne L. Martín
Part Two: Acts of Disclosure in Cervantes’s Prose
8. Coups de théâtre in the Novelas ejemplares
B.W. Ife
9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative
Catherine Infante
10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant
in El curioso impertinente
Mercedes Alcalá-Galán
11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity
of Fiction in La Galatea
Paul Michael Johnson
12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
Eduardo Olid Guerrero
13. Don Quixote and the Performance of Aging Masculinities in Early Modern
Spain
José R. Cartagena Calderón
Esther Fernández and Adrienne L. Martín
Part One: Alternate Theatricalities in Cervantes’s Drama
1. Cervantes and the Simple Stage
Bruce R. Burningham
2. Queer Cambalaches in El rufián dichoso
John Slater
3. Of Players and Wagers: The Theatricality of Gambling for Salvation in
El rufián dichoso
Sonia Velázquez
4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato
de Argel
Julia Domínguez
5. Captivating Music, Memory, and Emotions in Los baños de Argel
Sherry Velasco
6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana
Ana Laguna
7. Revolving Sets: Spatial Revelations in the Entremeses
Esther Fernández and Adrienne L. Martín
Part Two: Acts of Disclosure in Cervantes’s Prose
8. Coups de théâtre in the Novelas ejemplares
B.W. Ife
9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative
Catherine Infante
10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant
in El curioso impertinente
Mercedes Alcalá-Galán
11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity
of Fiction in La Galatea
Paul Michael Johnson
12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
Eduardo Olid Guerrero
13. Don Quixote and the Performance of Aging Masculinities in Early Modern
Spain
José R. Cartagena Calderón
Introduction: The Poetics of the Imagined Stage
Esther Fernández and Adrienne L. Martín
Part One: Alternate Theatricalities in Cervantes’s Drama
1. Cervantes and the Simple Stage
Bruce R. Burningham
2. Queer Cambalaches in El rufián dichoso
John Slater
3. Of Players and Wagers: The Theatricality of Gambling for Salvation in
El rufián dichoso
Sonia Velázquez
4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato
de Argel
Julia Domínguez
5. Captivating Music, Memory, and Emotions in Los baños de Argel
Sherry Velasco
6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana
Ana Laguna
7. Revolving Sets: Spatial Revelations in the Entremeses
Esther Fernández and Adrienne L. Martín
Part Two: Acts of Disclosure in Cervantes’s Prose
8. Coups de théâtre in the Novelas ejemplares
B.W. Ife
9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative
Catherine Infante
10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant
in El curioso impertinente
Mercedes Alcalá-Galán
11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity
of Fiction in La Galatea
Paul Michael Johnson
12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
Eduardo Olid Guerrero
13. Don Quixote and the Performance of Aging Masculinities in Early Modern
Spain
José R. Cartagena Calderón
Esther Fernández and Adrienne L. Martín
Part One: Alternate Theatricalities in Cervantes’s Drama
1. Cervantes and the Simple Stage
Bruce R. Burningham
2. Queer Cambalaches in El rufián dichoso
John Slater
3. Of Players and Wagers: The Theatricality of Gambling for Salvation in
El rufián dichoso
Sonia Velázquez
4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato
de Argel
Julia Domínguez
5. Captivating Music, Memory, and Emotions in Los baños de Argel
Sherry Velasco
6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana
Ana Laguna
7. Revolving Sets: Spatial Revelations in the Entremeses
Esther Fernández and Adrienne L. Martín
Part Two: Acts of Disclosure in Cervantes’s Prose
8. Coups de théâtre in the Novelas ejemplares
B.W. Ife
9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative
Catherine Infante
10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant
in El curioso impertinente
Mercedes Alcalá-Galán
11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity
of Fiction in La Galatea
Paul Michael Johnson
12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
Eduardo Olid Guerrero
13. Don Quixote and the Performance of Aging Masculinities in Early Modern
Spain
José R. Cartagena Calderón