For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.
For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.
John MacKay is Professor of Film and Media Studies and Professor and Chair of Slavic Languages and Literatures at Yale University. He received a PhD in Comparative Literature from Yale in 1998 and a BA in English from the University of British Columbia in 1987.
Inhaltsangabe
Note on Abbreviations, Transliteration, and Translations Introduction. How Did It Begin? Chapter 1. Province of Universality: David Kaufman before the War (1896 1914) Chapter 2. Social Immortality: David Kaufman at the Psychoneurological Institute (1914 16) Chapter 3. The Beating Pulse of Living Life: Musical, Futurist, Nonfiction, and Marxist Matrices (1916 18) Chapter 4. Christ among the Herdsmen: From Refugee to Propagandist (1918 22) Acknowledgments Film Archives Consulted Filmography Bibliography Index
Note on Abbreviations, Transliteration, and Translations Introduction. How Did It Begin? Chapter 1. Province of Universality: David Kaufman before the War (1896 1914) Chapter 2. Social Immortality: David Kaufman at the Psychoneurological Institute (1914 16) Chapter 3. The Beating Pulse of Living Life: Musical, Futurist, Nonfiction, and Marxist Matrices (1916 18) Chapter 4. Christ among the Herdsmen: From Refugee to Propagandist (1918 22) Acknowledgments Film Archives Consulted Filmography Bibliography Index
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