This collection brings together essays on the topics of Shakespeare, theater history, and early English drama in performance by scholars influenced by the pioneering work of Lois Potter.
This collection brings together essays on the topics of Shakespeare, theater history, and early English drama in performance by scholars influenced by the pioneering work of Lois Potter.
Darlene Farabee is associate professor in the English Department at the University of South Dakota. Mark Netzloff is associate professor of English at the University of Wisconsin-Milwaukee. Bradley D. Ryner is associate professor of English at Arizona State University.
Inhaltsangabe
Introduction by Darlene Farabee, Mark Netzloff, and Bradley D. Ryner Chapter 1: Dramatic Verse and Early Modern Playgoers in Marlowe's Time by Roslyn L. Knutson Chapter 2: The Usurer's Theatrical Body: Refiguring Profit in The Jew of Malta and The Blind Beggar of Alexandriaby Bradley D. Ryner Chapter 3: Theater of Anatomy: The Tragedy of Hoffman by Peter Hyland Chapter 4: 'Know you this ring?': Metonymic Functions of a Prop by Ann Thompson and John O. Thompson Chapter 5: Editing and Staging The Revenger's Tragedy: Three Problems by Alan C. Dessen Chapter 6: The 'most unsavoury similes' and Henry IV, Part Oneby Darlene Farabee Chapter 7: Shakespeare's Cognitive Vision by Arthur Kinney Chapter 8: Shakespeare's Conception of Tragedy: The Middle Tragedies by Jay L. Halio Chapter 9: Shakespeare or not Shakespeare?: The propogation of the text in Europe through J. F. Ducis's 'Imitations' by Michèle Willems Chapter 10:Un/natural Perspective: Viola on the late nineteenth-century stage by Virginia Mason Vaughan Chapter 11: Reading, Recitation, and Entertainments: The Dunedin Shakespeare Club, 1877-1956 by Evelyn Tribble Chapter 12: The power of Shakespeare's word in twentieth-century Prague by Zdenek Stríbrný Chapter 13: Showtime: Temporality and the Video Archive of Julius Caesar at the RSC by Andrew Hartley
Introduction by Darlene Farabee, Mark Netzloff, and Bradley D. Ryner Chapter 1: Dramatic Verse and Early Modern Playgoers in Marlowe's Time by Roslyn L. Knutson Chapter 2: The Usurer's Theatrical Body: Refiguring Profit in The Jew of Malta and The Blind Beggar of Alexandriaby Bradley D. Ryner Chapter 3: Theater of Anatomy: The Tragedy of Hoffman by Peter Hyland Chapter 4: 'Know you this ring?': Metonymic Functions of a Prop by Ann Thompson and John O. Thompson Chapter 5: Editing and Staging The Revenger's Tragedy: Three Problems by Alan C. Dessen Chapter 6: The 'most unsavoury similes' and Henry IV, Part Oneby Darlene Farabee Chapter 7: Shakespeare's Cognitive Vision by Arthur Kinney Chapter 8: Shakespeare's Conception of Tragedy: The Middle Tragedies by Jay L. Halio Chapter 9: Shakespeare or not Shakespeare?: The propogation of the text in Europe through J. F. Ducis's 'Imitations' by Michèle Willems Chapter 10:Un/natural Perspective: Viola on the late nineteenth-century stage by Virginia Mason Vaughan Chapter 11: Reading, Recitation, and Entertainments: The Dunedin Shakespeare Club, 1877-1956 by Evelyn Tribble Chapter 12: The power of Shakespeare's word in twentieth-century Prague by Zdenek Stríbrný Chapter 13: Showtime: Temporality and the Video Archive of Julius Caesar at the RSC by Andrew Hartley
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