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Winner of the 2023 Menno Hertzberger Encouragement Prize (Book History) In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic…mehr

Produktbeschreibung
Winner of the 2023 Menno Hertzberger Encouragement Prize (Book History) In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses. Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought.
Autorenporträt
Gwendoline de Mûelenaere, Ph.D. (2017), Université catholique de Louvain (Belgium), is a postdoctoral researcher at Ghent University. She has published a dozen articles on thesis prints and illustrated lecture notebooks produced in the Southern Low Countries.