Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.
Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.
Jessica L. Horton is an Associate Professor in the Department of Art History at the University of Delaware and author of Art for an Undivided Earth: The American Indian Movement Generation, also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Contested Kinship: More-than-Human Relations or the Family of Man? 35 2. Rebalancing Power: Diné Sandpainting and Sand Mining 80 3. Earth Mothers: Diné Weaving and Trans-Indigenous Ecofeminism 120 4. Tipis and Domes: Modeling the Blackfeet Cosmos at a World Fair 162 5. The Truth-Line: Oscar Howe's Sacred Pipe Modernism 217 Conclusion: Artist-Diplomat-Vampire 269 Notes 279 Bibliography 329 Index 365
Acknowledgments ix Introduction 1 1. Contested Kinship: More-than-Human Relations or the Family of Man? 35 2. Rebalancing Power: Diné Sandpainting and Sand Mining 80 3. Earth Mothers: Diné Weaving and Trans-Indigenous Ecofeminism 120 4. Tipis and Domes: Modeling the Blackfeet Cosmos at a World Fair 162 5. The Truth-Line: Oscar Howe's Sacred Pipe Modernism 217 Conclusion: Artist-Diplomat-Vampire 269 Notes 279 Bibliography 329 Index 365
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