Ecologies of Writing
Natural, Technical, and Social Conditions of Textual Production in the Twentieth and Twenty-First Centuries
Herausgeber: Büttner, Urs; Meyer, Imke; Haubenreich, Jacob
Ecologies of Writing
Natural, Technical, and Social Conditions of Textual Production in the Twentieth and Twenty-First Centuries
Herausgeber: Büttner, Urs; Meyer, Imke; Haubenreich, Jacob
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Uses case studies from 20th-century German literature and theory to explore the material, social, economic, and environmental bases of writing and its craft.
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Uses case studies from 20th-century German literature and theory to explore the material, social, economic, and environmental bases of writing and its craft.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 240
- Erscheinungstermin: 27. November 2025
- Englisch
- Abmessung: 216mm x 140mm x 25mm
- Gewicht: 454g
- ISBN-13: 9798765124451
- Artikelnr.: 72707687
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 240
- Erscheinungstermin: 27. November 2025
- Englisch
- Abmessung: 216mm x 140mm x 25mm
- Gewicht: 454g
- ISBN-13: 9798765124451
- Artikelnr.: 72707687
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Urs Büttner is Feodor Lynen Fellow of the Alexander von Humboldt Foundation at the University of Oxford, UK. He previously held positions at Leibniz University Hannover, Free University Berlin and Heinrich Heine University Düsseldorf. He taught as Max Kade Professor at the University of Illinois at Urbana-Champaign and received a Visiting Scholarship at the Institute of Advanced Studies at the University of Durham. Jacob Haubenreich is Assistant Professor in the Department of Modern Languages and Literatures at Johns Hopkins University, USA. He has previously held positions at Southern Illinois University, Carbondale and the College of the Holy Cross, as well as positions as Visiting Scholar at the Austrian Academy of Sciences and in the Marbach Weimar Wolfenbüttel Research Association.
Introduction: An Expanded Perspective on Textual Creation
Urs Büttner (Heinrich Heine Universität Düsseldorf, Germany) and Jacob
Haubenreich (Johns Hopkins University, USA)
Part I. Materialities
1. The Field of Writing: The Ambulatory Art of Noticing Third Nature in
Sebald and Kinsky, Jason Groves (University of Washington, USA)
2. Street Writing and Contemporary German Streetscapes, Peter Schweppe
(Montana State University, USA)
Part II. Mediality and Technical Devices
3. Lines of Force: Writing Theory and the Energetic Scripts of Modernism,
Susanne Strätling (Freie Universität Berlin, Germany)
4. An Updated Superscript: Paradoxes of Writing Amidst Generative AI,
Richard Gibson (Wheaton College, USA)
Part III. Mind and Body
5. "This Conflict between the Soul's Inclination and the Body's
Capabilities": Writing Hygiene in Thomas Mann's Death in Venice, Urs
Büttner (Heinrich Heine Universität Düsseldorf, Germany)
6. Immersion and its Discontents: Kafka's Ecology of Attention, Carolin
Duttlinger (University of Oxford, UK)
Part IV. Social Conditions
7. In the Machine Room: Writing between Author and Editor, ca. 1900-2000,
Ines Barner (ETH Zurich, Switzerland) translated by Eric Hounshell
8. Writing as Work: Towards a Theory of Literary Production, Carolin
Amlinger (University of Basel, Switzerland)
Notes on Contributors
Index
Urs Büttner (Heinrich Heine Universität Düsseldorf, Germany) and Jacob
Haubenreich (Johns Hopkins University, USA)
Part I. Materialities
1. The Field of Writing: The Ambulatory Art of Noticing Third Nature in
Sebald and Kinsky, Jason Groves (University of Washington, USA)
2. Street Writing and Contemporary German Streetscapes, Peter Schweppe
(Montana State University, USA)
Part II. Mediality and Technical Devices
3. Lines of Force: Writing Theory and the Energetic Scripts of Modernism,
Susanne Strätling (Freie Universität Berlin, Germany)
4. An Updated Superscript: Paradoxes of Writing Amidst Generative AI,
Richard Gibson (Wheaton College, USA)
Part III. Mind and Body
5. "This Conflict between the Soul's Inclination and the Body's
Capabilities": Writing Hygiene in Thomas Mann's Death in Venice, Urs
Büttner (Heinrich Heine Universität Düsseldorf, Germany)
6. Immersion and its Discontents: Kafka's Ecology of Attention, Carolin
Duttlinger (University of Oxford, UK)
Part IV. Social Conditions
7. In the Machine Room: Writing between Author and Editor, ca. 1900-2000,
Ines Barner (ETH Zurich, Switzerland) translated by Eric Hounshell
8. Writing as Work: Towards a Theory of Literary Production, Carolin
Amlinger (University of Basel, Switzerland)
Notes on Contributors
Index
Introduction: An Expanded Perspective on Textual Creation
Urs Büttner (Heinrich Heine Universität Düsseldorf, Germany) and Jacob
Haubenreich (Johns Hopkins University, USA)
Part I. Materialities
1. The Field of Writing: The Ambulatory Art of Noticing Third Nature in
Sebald and Kinsky, Jason Groves (University of Washington, USA)
2. Street Writing and Contemporary German Streetscapes, Peter Schweppe
(Montana State University, USA)
Part II. Mediality and Technical Devices
3. Lines of Force: Writing Theory and the Energetic Scripts of Modernism,
Susanne Strätling (Freie Universität Berlin, Germany)
4. An Updated Superscript: Paradoxes of Writing Amidst Generative AI,
Richard Gibson (Wheaton College, USA)
Part III. Mind and Body
5. "This Conflict between the Soul's Inclination and the Body's
Capabilities": Writing Hygiene in Thomas Mann's Death in Venice, Urs
Büttner (Heinrich Heine Universität Düsseldorf, Germany)
6. Immersion and its Discontents: Kafka's Ecology of Attention, Carolin
Duttlinger (University of Oxford, UK)
Part IV. Social Conditions
7. In the Machine Room: Writing between Author and Editor, ca. 1900-2000,
Ines Barner (ETH Zurich, Switzerland) translated by Eric Hounshell
8. Writing as Work: Towards a Theory of Literary Production, Carolin
Amlinger (University of Basel, Switzerland)
Notes on Contributors
Index
Urs Büttner (Heinrich Heine Universität Düsseldorf, Germany) and Jacob
Haubenreich (Johns Hopkins University, USA)
Part I. Materialities
1. The Field of Writing: The Ambulatory Art of Noticing Third Nature in
Sebald and Kinsky, Jason Groves (University of Washington, USA)
2. Street Writing and Contemporary German Streetscapes, Peter Schweppe
(Montana State University, USA)
Part II. Mediality and Technical Devices
3. Lines of Force: Writing Theory and the Energetic Scripts of Modernism,
Susanne Strätling (Freie Universität Berlin, Germany)
4. An Updated Superscript: Paradoxes of Writing Amidst Generative AI,
Richard Gibson (Wheaton College, USA)
Part III. Mind and Body
5. "This Conflict between the Soul's Inclination and the Body's
Capabilities": Writing Hygiene in Thomas Mann's Death in Venice, Urs
Büttner (Heinrich Heine Universität Düsseldorf, Germany)
6. Immersion and its Discontents: Kafka's Ecology of Attention, Carolin
Duttlinger (University of Oxford, UK)
Part IV. Social Conditions
7. In the Machine Room: Writing between Author and Editor, ca. 1900-2000,
Ines Barner (ETH Zurich, Switzerland) translated by Eric Hounshell
8. Writing as Work: Towards a Theory of Literary Production, Carolin
Amlinger (University of Basel, Switzerland)
Notes on Contributors
Index







