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Charting a history of theatrical resistance to environmental exploitation, this study places drama and theatrical performance staged in Australia within the context of international scholarship to address major concerns about changing ecological systems. Exploring the staging of calamities ranging from droughts and floods to forest fires and rising seas, it examines a strikingly diverse body of work that reflects the entanglement of socio-economic and natural forces leading to ecological damage and climate change. Weather phenomena become protagonists in plays by Jack Davis, Andrea James,…mehr

Produktbeschreibung
Charting a history of theatrical resistance to environmental exploitation, this study places drama and theatrical performance staged in Australia within the context of international scholarship to address major concerns about changing ecological systems. Exploring the staging of calamities ranging from droughts and floods to forest fires and rising seas, it examines a strikingly diverse body of work that reflects the entanglement of socio-economic and natural forces leading to ecological damage and climate change. Weather phenomena become protagonists in plays by Jack Davis, Andrea James, Louis Nowra and Hannie Rayson, while mutant creatures manifest climate threats in Jill Orr's work, and performances by the Australian Indigenous Marrugeku and Bangarra Dance Theatre invite grief for immense losses. Featuring First Nations performance and the profound knowledge of biodiverse multispecies habitats it presents, this study challenges the ways in which socio-ecological disaster is called 'natural' and positioned outside human responsibility.
Autorenporträt
Peta Tait is Emeritus Professor at La Trobe University, a playwright and a Fellow of the Australian Academy of the Humanities. Her twelve authored and edited books include the recently authored Forms of Emotion: Human to Nonhuman (2022).