This book establishes how ecopoetics can provide insight into the poetic echoes of the living earth that are diffracted in environmental fiction, encouraging a reenchantment that adheres to postmodern science, while braiding various onto-epistemological threads. It reentangles the very material texture of language within the biosemiotic world.
This book establishes how ecopoetics can provide insight into the poetic echoes of the living earth that are diffracted in environmental fiction, encouraging a reenchantment that adheres to postmodern science, while braiding various onto-epistemological threads. It reentangles the very material texture of language within the biosemiotic world.
Part One: From Disenchantment to an Ecopoetics of Reenchantment Chapter One: Disenchanted, Enchanted, and Reenchanted Worldviews Chapter Two: Toward an Ecofeminist, Ecopoetic Project of a Rational Reenchantment Chapter Three: An Ecofeminist Remystification of Narrative: The Many Faces of Gaia in the Anthrop-o(bs)cene Chapter Four: Sowing the Seeds of an Ecopoet(h)ics of Wonder and Enchantment: Reincorporating Language and the Human into the Flesh and Song of the World Part Two: Ecopoetic Reenchantment via Liminal Realism Chapter Five: Why Liminal, Rather than "Magical," "Spiritual," "Mystical," "Ontological," or "Epistemological" Realism? Chapter Six: Postcolonial Liminality and (Re)initiation into a Multispecies World: Moving betwixt and between Human and Other-than-Human Realms in Linda Hogan's Power and Leslie Marmon Silko's Ceremony Chapter Seven: Post-Pastoral, Non-Indigenous Thought-Experiments with Totemic and Animistic Liminality Chapter Eight: Liminal Realism and Interspecies Thought-Exper
Part One: From Disenchantment to an Ecopoetics of Reenchantment Chapter One: Disenchanted, Enchanted, and Reenchanted Worldviews Chapter Two: Toward an Ecofeminist, Ecopoetic Project of a Rational Reenchantment Chapter Three: An Ecofeminist Remystification of Narrative: The Many Faces of Gaia in the Anthrop-o(bs)cene Chapter Four: Sowing the Seeds of an Ecopoet(h)ics of Wonder and Enchantment: Reincorporating Language and the Human into the Flesh and Song of the World Part Two: Ecopoetic Reenchantment via Liminal Realism Chapter Five: Why Liminal, Rather than "Magical," "Spiritual," "Mystical," "Ontological," or "Epistemological" Realism? Chapter Six: Postcolonial Liminality and (Re)initiation into a Multispecies World: Moving betwixt and between Human and Other-than-Human Realms in Linda Hogan's Power and Leslie Marmon Silko's Ceremony Chapter Seven: Post-Pastoral, Non-Indigenous Thought-Experiments with Totemic and Animistic Liminality Chapter Eight: Liminal Realism and Interspecies Thought-Exper
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