Eduard Artemyev's music for Tarkovsky's films - Ivan, Andrianov
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My analysis of Artemiev's music for three of Tarkovsky's films led me to the following conclusions. The first and perhaps most important is the realisation of the role played by the director as co-composer in this case. Tarkovsky influenced almost all parameters of the musical substance of his films. The process of visualising music in the director's films is a phenomenon that flows quite naturally into the modern cultural context, given the deepening of the specific interaction between cinema and music as a whole in the 1960s to 1980s. It is very important here that the focus in the artistic…mehr

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Produktbeschreibung
My analysis of Artemiev's music for three of Tarkovsky's films led me to the following conclusions. The first and perhaps most important is the realisation of the role played by the director as co-composer in this case. Tarkovsky influenced almost all parameters of the musical substance of his films. The process of visualising music in the director's films is a phenomenon that flows quite naturally into the modern cultural context, given the deepening of the specific interaction between cinema and music as a whole in the 1960s to 1980s. It is very important here that the focus in the artistic system of the films is placed on the music of J.S. Bach. The interpretation of Bach's music in Tarkovsky's films gives rise to the emergence of an entire artistic field of attraction associated with the Baroque era.
Autorenporträt
Ivan Andrianov é um compositor, produtor e cineasta ucraniano. É membro da Associação de Compositores Ucranianos desde 2009. Estudou composição clássica e eletroacústica na Ucrânia, Zagreb e Bremen entre 2003 e 2013. Em 2018, concluiu o mestrado em música para cinema na Universidade de Cinema de Babelsberg.