Ein Liber cantus aus dem Veneto (um 1440). A Veneto Liber cantus (c. 1440)
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This book results from Robert Klugseder's discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent's recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, already known). Together they make a torso of 12 leaves with 20 compositions, nearly half of which are unique, an important complement to the already-known Veneto manuscripts of international repertory of the first half of the 15th century. A high-quality colour facsimile of these leaves, together with associated fragmentary survivals, is preceded by an in-depth codicological and repertorial study in German and English.…mehr

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Produktbeschreibung
This book results from Robert Klugseder's discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent's recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, already known). Together they make a torso of 12 leaves with 20 compositions, nearly half of which are unique, an important complement to the already-known Veneto manuscripts of international repertory of the first half of the 15th century. A high-quality colour facsimile of these leaves, together with associated fragmentary survivals, is preceded by an in-depth codicological and repertorial study in German and English.
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Rezensionen
"But the book stands as a clear statement that fragments of this kind are of major importance for music historians and that librarians must be encouraged to make them known. That way, perhaps we will get even more of what looks to have been one of the seriously authoritative sources of its generation"

Von David Fallows

In: Plainsong and Medieval Music 23/1, April 2014, S. 118-122.