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My transient lifestyle has become a platform upon which to contemplate and critique existing social value systems, and my observations have nourished my artistic practice. In this book I will discuss the conceptual deconstruction of structural and aesthetic materials that exist within domestic spaces, and the resultant cathartic act in which I dismantle furniture and construct large-scale paintings that are embedded with personal narrative in my artistic practice. Although my lived experiences have informed my writing and studio practices, I am also interested in the ways in which uprooted people, in general, attempt to recreate the idea of home once dislocated.