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For most of the twentieth century the exuberant fluency of Elizabeth Barrett Browning's art was not regarded as worthy of serious attention. Even the evidence for the swiftness of her wit, thought and composition remains more impressionistic and anecdotal than firmly proven. Through close attention to original manuscript material, Josie Billington argues that Barrett Browning's fast, fine and excitedly vigorous and agile imaginative intelligence is Shakespearean, both in its power, and in the creative drive and dynamic to which it gives rise.   Billington contends that for Barrett Browning, as…mehr

Produktbeschreibung
For most of the twentieth century the exuberant fluency of Elizabeth Barrett Browning's art was not regarded as worthy of serious attention. Even the evidence for the swiftness of her wit, thought and composition remains more impressionistic and anecdotal than firmly proven. Through close attention to original manuscript material, Josie Billington argues that Barrett Browning's fast, fine and excitedly vigorous and agile imaginative intelligence is Shakespearean, both in its power, and in the creative drive and dynamic to which it gives rise.   Billington contends that for Barrett Browning, as for Shakespeare, writing was demonstrably a creative event not a second-order record of experience, and that Barrett Browning's characteristic habits of composition, and her creative procedure, resemble in significant ways those of the poet she valued most highly. A fascinating study of both writers' analogous creative dispositions, minds and modes.
Autorenporträt
Josie Billington is Professor in English Literature at the University of Liverpool, UK. She has edited and published extensively on Victorian women's fiction and poetry including 21st Century Oxford Authors: Elizabeth Barrett Browning, George Eliot's Scenes of Clerical Life, Elizabeth Gaskell's Wives and Daughters, and Margaret Oliphant's The Ladies Lindores . She has also led multiple inter-disciplinary studies on the value of literary reading for health. Her publications in this field include Is Literature Healthy? (Oxford University Press, 2016) and Reading and Mental Health (Palgrave, 2019).